New Cengage Wedding Videography Start Finish Loud Settings Uncontrollable Light Rapid Scene

• Wedding Videography: Start to Finish.
• How to work in poorly lit conditions.
• How to make the best of bad angles.
• The book further explains how to improve.
• Tylize footage through editing.

Wedding production is unique in that every shot must be obtained in a single take, as in documentary filmmaking, but the client expects the finished product to look like a feature film, with perfect capture of every moment. Getting good-looking footage, while fighting problems such as loud settings, uncontrollable light and rapid scene changes, make wedding videography very challenging compared to other types of filmmaking. "Wedding Videography: Start to Finish" is the first technical guide that explains how to balance the expectations of the bridal couple with the realities of single-take shooting. These discrepancies will be explained through lessons in gear selection, shot s! et-up, how to work in poorly lit conditions, and how to make the best of bad angles, audio and light. The book further explains how to improve and stylize footage through editing and post production techniques. With "Wedding Videography: Start to Finish," video amateurs and professionals new to wedding coverage alike will find a complete guide on every aspect of becoming a successful wedding videographer, from selecting production gear and software through the shooting and editing process, and even the business aspects of the wedding industry including client expectations, wedding etiquette, legal issues and product delivery.Forewords by David Hebel, Founder & CEO, Digital Juice, Inc. and Steve Weiss, Partner, Zacuto

Do you want to stand out in today’s competitive wedding, corporate, and event video markets? To be paid what you’re worth for the creative work you produce? To find an extra two hours a day to pursue your passion? To get out from under the ba! cklog of unfinished projects? If the answer is “yes,” then! this bo ok was written for you. Read a few pages and you’ll find the authors’ unique approach to the business of video production is unlike what you’ve heard or read before. With good humor, practical advice, and a healthy dose of reality, Ron and Tasra Dawson show you how to get your business on track and transform it into the one of your dreams. The result is increased creativity, financial gain, less stress, and more time and energy to pursue the projects you are truly passionate about. You’ll learn to:

• Reclaim 525 work hours per year with one simple strategy
• Implement action items you can use today to start getting paid what you’re worth
• Assess and transform your current sales and marketing
• Design a powerful brand experience to amaze your clients and turn them into company evangelists
• Supercharge your marketing with social media like Twitter, Facebook, and blogs
• Break into commercial video production for year-round pro! fits

You can also network and stay up-to-date at the companion Web site, bladeronner.com. Click the ReFocus link.


”Ron and Tasra will help you move mountains in your business.” â€"Lance Gray, CEO, PixelPops Design, LLC

”I know how busy we all can get, but if you read this book and apply the information, it will turn your world around.” â€"David Robin, David Robin Films


A full-color reference-and-DVD package covers shooting and editing a successful multimedia project

With the introduction of dSLRs with high definition video functionality, a new world of multimedia capture has been opened to digital photographers. This book shows you how to embrace the exciting new option of photo fusion, by incorporating digital video content with your photography.

The author duo guides you through creating seamless multimedia presentations that maximize both still-frame and video photography functions on your dSLR. From the setting up! and shooting, to downloading, editing and presenting a multim! edia pro ject, this book clearly explains how to move beyond stills into the exciting world of multimedia creation.

• Encourages you to embrace the exciting possibilities of photo fusion in the field of wedding photography
• Explains how to incorporate digital video content with photography
• Walks you through all of the necessary steps for shooting and editing a memorable multimedia creation
• Details every aspect involved in setting up, shooting, downloading, editing, and presenting a multimedia project
• Features more than 200 color images and an indispensible DVD of inspiring examples

Packed with more than 200 stunning images and featuring a 45-minute DVD, Photo Fusion presents you with inspiration and instruction so you can create your own multimedia projects.

Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.A full-color reference-and-DVD package covers shooting and editing a successful multimedia project !

With the introduction of dSLRs with high definition video functionality, a new world of multimedia capture has been opened to digital photographers. This book shows you how to embrace the exciting new option of photo fusion, by incorporating digital video content with your photography.

The author duo guides you through creating seamless multimedia presentations that maximize both still-frame and video photography functions on your dSLR. From the setting up and shooting, to downloading, editing and presenting a multimedia project, this book clearly explains how to move beyond stills into the exciting world of multimedia creation.

• Encourages you to embrace the exciting possibilities of photo fusion in the field of wedding photography
• Explains how to incorporate digital video content with photography
• Walks you through all of the necessary steps for shooting and editing a memorable multimedia creation
• Details ever! y aspect involved in setting up, shooting, downloading, editin! g, and p resenting a multimedia project
• Features more than 200 color images and an indispensible DVD of inspiring examples

Packed with more than 200 stunning images and featuring a 45-minute DVD, Photo Fusion presents you with inspiration and instruction so you can create your own multimedia projects.

Note: CD-ROM/DVD and other supplementary materials are not included as part of eBook file.

Top Ten Photo-Fusion Tips
Amazon-exclusive content from author Jennifer Bebb

1. You Are a Still Photographer, Not a Videographer
If the moment warrants a still image, make a still image. Your primary focus is making st! ill images and your video coverage is designed to augment your stills.

2. Shoot More Video than You Need
A still image is all about a single moment. Video, on the other hand must be edited to showcase the perfect moment. Leave lead time before and after the clip you want to use, and record more video than you think you will need. You can always leave the extra clips on the cutting room floor.

3. Be a Ruthless Editor
Remember that you are a photographer first - the audio and video you are recording is designed to flesh out the story told by your stills, not overwhelm it. If the video doesn’t look great, don’t use it.

4. Practice, Practice, Practice
Take the time to get to know all the gear you are going to use while making Fusion. Test out everything, ahead of time, on friends, neighbors or your pet. Practice using a tripod, monopod, and other stabilizers. A wedding day is not the time to learn your gear. !

5. Remember the Gift of Speech
Your clien! ts are g iving and receiving the gift of words they may never hear again. Record them with respect and care, and use those words in your final edit. This is a gift that grows in value over time.

5. Record More Audio than You Need
Your portable audio recorder will run up to 8 hours, so use that to record audio separate from your video clips. It is the audio that ties Fusion together, so record lots and edit out what you don’t need.

6. Be Prepared for Anything
Make a plan for the day, but be ready to change on a moment’s notice. That’s the nature of a wedding day - it’s unpredictable. Plan for everything you can, and stay cool when things go wrong.

7. Shoot Your Video with the Eye of a Photographer
If you are using a HDSLR, you know how to make great still images with it. Making video is similar - use your knowledge of light and composition to make your video and stills blend together cohesively. Take advantage of! your ability to see the world in you own unique way.

8. Stabilize Your Footage
You might be able to make great still images at a slow shutter speed while hand holding your camera. Video is different - because you are recording more than a split second, it is challenging to hold steady. Wherever you can, stabilize your footage, especially during the ceremony and the speeches.

9. The Details Matter
As you do more and more Fusion, remember the details and nuances of a wedding day, will benefit from video as well. Make your still images first, then record some video of the details. Your attention to detail is important to your client.

10. Shoot for the Edit
The more you get right in camera, the less work you will have after the fact. This is particularly true with video footage. Shoot with your edit in mind - if you know you want a transition clip of the bride’s dress going on, shoot it in both stills and vid! eo. Having a sense of what you want your final piece to look l! ike will help you choose when to record video and when to make stills.

Photos from Author Jennifer Bebb (Click to enlarge)

This is image was made while the bride was having her dress done up. She had moved towards the window in an effort to cool down (it was a hot day) in the breeze. The wind caught the sheer curtains and blew one between the camera and the bride, and this is the result. Specs: Camera: 5D ISO: 160 Aperture: 2.8 Shutter: 1/60 Exp. Comp: +0.7

This image was made in and Art Gallery in New York City. The g! allery was between exhibits so we had the opportunity to work in spaces that are normally closed to photographers. This was a large, bare room, but we loved the warmth of the ambient and the patterns on the floor and walls. We used a chair that was in the space and had her sit on the floor. We wanted the bride to be the focus of the image, so we needed to add some light to her face. We used a small video light to ensure that she was well lit, and kept our shutter speed low to ensure the warmth of the ambient light was present in the scene. Specs: Camera: 5D ISO: 1250 Aperture: 4.0 Shutter: 1/30 Exp. Comp: 0.0

This image was made in bright sun on a beach in Mexico. We decided to take advantage of the sunlight and use it to our advantage. We simply had them embrace at the water’s edg! e, turning her eyes to our lens while asking him to hold her t! ight. W ith the aperture set at 2.8 and the compression of the 135mm lens, we knew that the background would be completely out of focus while she would be the obvious focus of the image. Specs: Camera: 5D MKII Lens: 135mm ISO: 100 Aperture: 2.8 Shutter: 1/4000 Exp. Comp: -0.3