Saturday, December 3, 2011

Four Film Favorites: Final Destination Collection (Final Destination / Final Destination 2 / Final Destination 3 / The Final Destination)

  • FINAL DESTINATIONAfter an eerie premonition leads a handful of passengers to disembark an ill-fated flight, Death with all its ingenious contraptions of doom at the ready stalks those survivors (Devon Sawa, Ali Larter, Kerr Smith and more) one by one in the gory, gleeful shocker that launched the fright-filled film series. Final Destination: the start of it all! INCLUDES: Widescreen Version [16x9
Death is just as omnipresent as ever, and in Final Destination 5 it strikes again. During the bus ride to a corporate retreat, Sam (Nicholas D’Agosto) has a premonition in which he and most of his friends â€" as well as numerous others â€" die in a horrific bridge collapse. When his vision ends, events begin to mirror what he had seen, and he frantically ushers as many of his colleagues â€" including his friend, Peter (Miles Fisher), and girlfriend, Molly (Emma Bell) â€" away from the disast! er before Death can claim them. But these unsuspecting souls were never supposed to survive, and in a terrifying race against time, the ill-fated group tries to discover a way to escape Death’s sinister agenda. Moviedom's most fatalistic franchise returns in efficient form in Final Destination 5, an installment that goes for broke in its big opening set piece. This time the initial disaster happens on a suspension bridge that turns out to be all too vulnerable to high winds and an over-aggressive repair project. The employees of Presage Plus (ha ha) are in a bus crossing the span when Sam (Nicholas D'Agosto) pre-envisions the bloody disaster to come; panicked, he urges his friends to scamper off the bridge just in time to avoid the collapse. You know what comes next: the survivors face certain death as Fate demands its deferred payment, and a coroner (Tony Todd, thankfully returning to the series) intones dark wisdom about the price that must be paid. Director Stev! en Quale understands that the audience expects the horrifyingl! y convol uted deaths of the previous pictures; each new demise is like the result of a crowd at an improv theater shouting out different ideas to weave together (hmm, what can we do with a leaky air conditioner, a loose screw, and a set of uneven parallel bars?). The results--shot for 3-D release, no less--will not disappoint die-hard fans, and even the actors are bearable this time around: D'Agosto, from the underrated Fired Up!, pairs nicely with Emma Bell, P.J. Byrne gets off a few unctuous one-liners, and David Koechner does his clueless jerk routine as the Presage Plus boss from hell. The final sequence, while not making any sense according to the rules we've been watching, does tie up the entire series in a neat bow. Until the next sequel, anyway. --Robert HortonDeath is just as omnipresent as ever, and in Final Destination 5 it strikes again. During the bus ride to a corporate retreat, Sam (Nicholas D’Agosto) has a premonition in which he and most of his! friends â€" as well as numerous others â€" die in a horrific bridge collapse. When his vision ends, events begin to mirror what he had seen, and he frantically ushers as many of his colleagues â€" including his friend, Peter (Miles Fisher), and girlfriend, Molly (Emma Bell) â€" away from the disaster before Death can claim them. But these unsuspecting souls were never supposed to survive, and in a terrifying race against time, the ill-fated group tries to discover a way to escape Death’s sinister agenda. Moviedom's most fatalistic franchise returns in efficient form in Final Destination 5, an installment that goes for broke in its big opening set piece. This time the initial disaster happens on a suspension bridge that turns out to be all too vulnerable to high winds and an over-aggressive repair project. The employees of Presage Plus (ha ha) are in a bus crossing the span when Sam (Nicholas D'Agosto) pre-envisions the bloody disaster to come; panicked, he urges h! is friends to scamper off the bridge just in time to avoid the! collaps e. You know what comes next: the survivors face certain death as Fate demands its deferred payment, and a coroner (Tony Todd, thankfully returning to the series) intones dark wisdom about the price that must be paid. Director Steven Quale understands that the audience expects the horrifyingly convoluted deaths of the previous pictures; each new demise is like the result of a crowd at an improv theater shouting out different ideas to weave together (hmm, what can we do with a leaky air conditioner, a loose screw, and a set of uneven parallel bars?). The results--shot for 3-D release, no less--will not disappoint die-hard fans, and even the actors are bearable this time around: D'Agosto, from the underrated Fired Up!, pairs nicely with Emma Bell, P.J. Byrne gets off a few unctuous one-liners, and David Koechner does his clueless jerk routine as the Presage Plus boss from hell. The final sequence, while not making any sense according to the rules we've been watching, doe! s tie up the entire series in a neat bow. Until the next sequel, anyway. --Robert HortonDeath is just as omnipresent as ever, and in Final Destination 5 it strikes again. During the bus ride to a corporate retreat, Sam (Nicholas D’Agosto) has a premonition in which he and most of his friends â€" as well as numerous others â€" die in a horrific bridge collapse. When his vision ends, events begin to mirror what he had seen, and he frantically ushers as many of his colleagues â€" including his friend, Peter (Miles Fisher), and girlfriend, Molly (Emma Bell) â€" away from the disaster before Death can claim them. But these unsuspecting souls were never supposed to survive, and in a terrifying race against time, the ill-fated group tries to discover a way to escape Death’s sinister agenda. Moviedom's most fatalistic franchise returns in efficient form in Final Destination 5, an installment that goes for broke in its big opening set piece. This time the in! itial disaster happens on a suspension bridge that turns out t! o be all too vulnerable to high winds and an over-aggressive repair project. The employees of Presage Plus (ha ha) are in a bus crossing the span when Sam (Nicholas D'Agosto) pre-envisions the bloody disaster to come; panicked, he urges his friends to scamper off the bridge just in time to avoid the collapse. You know what comes next: the survivors face certain death as Fate demands its deferred payment, and a coroner (Tony Todd, thankfully returning to the series) intones dark wisdom about the price that must be paid. Director Steven Quale understands that the audience expects the horrifyingly convoluted deaths of the previous pictures; each new demise is like the result of a crowd at an improv theater shouting out different ideas to weave together (hmm, what can we do with a leaky air conditioner, a loose screw, and a set of uneven parallel bars?). The results--shot for 3-D release, no less--will not disappoint die-hard fans, and even the actors are bearable this time around: D'Ag! osto, from the underrated Fired Up!, pairs nicely with Emma Bell, P.J. Byrne gets off a few unctuous one-liners, and David Koechner does his clueless jerk routine as the Presage Plus boss from hell. The final sequence, while not making any sense according to the rules we've been watching, does tie up the entire series in a neat bow. Until the next sequel, anyway. --Robert HortonFinal Destination, Final Destination 2, Final Destination 3, and The Final Destination (2009) FINAL DESTINATION INCLUDES: • Widescreen Version [16x9 1.85:1] • Director/Writers/Editor Commentary • Cast Commentary • 5.1 Isolated Score Audio Track with Commentary by Composer Shirley Walker • Additional Scenes and Alternate Endings • 2 Featurettes: Test Screenings and Premonitions • 2 Games: Death Clock and Psychic Test • Theatrical Trailer • Subtitles: English (Main Feature.Bonus Material/Trailer May Not Be Subtitled.). FINAL DESTINATION 2 INCLUDES: • Widescreen Version! [16x9 1.85:1] • Director/Producer/Screenwriters Commentary ! • Dele ted/Alternate Scenes • Selectable Fact Track with Intriguing Making-of Factoids â€" All As You Watch the Movie • 3 Featurettes The Terror Gauge, Cheating Death: Beyond and Back and Bits & Pieces: Bringing Death to Life • Theatrical Trailer • Subtitles: English (Main Feature.Bonus Material/Trailer May Not Be Subtitled.). FINAL DESTINATION 3 INCLUDES: • Widescreen Version [16x9 2.4:1] • Enjoy 2 Editions of the Film: Original Theatrical Movie and the Choose Their Fate! Version Where You Control the Characters’ Outcomes • Director/Writers/Cinematographer Commentary • Subtitles: English & Español (Main Feature.Bonus Material/Trailer May Not Be Subtitled.). THE FINAL DESTINATION INCLUDES: • Widescreen Version [16x9 2.4:1] • Additional Scenes • Subtitles: English & Español (Main Feature. Bonus Material/Trailer May Not Be Subtitled).

Close to Home

  • Inia divided city, friendship isitheir last line of defense. In the nation of Israel, military service is compulsory for all citizens. Now an award-winning drama offers an in-depth look at young women's lives in the service. Dutiful Mirit (Naama Schender) is assigned to a street patrol with the rebellious Smadar (Smadar Sayar). Plunged into the simmering tensions of Jerusalem, they find the

Bizarre, deranged, clever, and outrageously amusing--that's Close to Home. From the guy who keeps a Just Married sign on the back of his car to prevent getting speeding tickets, to the mom who installs a food court in the kitchen to keep the kids from whining about what's being served for dinner, to the students who are shrink-wrapped due to overcrowding at schools, John McPherson's quirky characters combined with his warped sense of humor help make the cartoon and the Close to Home 2012 Day-t! o-Day Calendar one of a kind. As an added bonus, each weekend page will feature an extra Close to Home cartoon on the back.

Bizarre, deranged, clever, and outrageously amusing--that's Close to Home. From the guy who keeps a Just Married sign on the back of his car to prevent getting speeding tickets, to the mom who installs a food court in the kitchen to keep the kids from whining about what's being served for dinner, to the students who are shrink-wrapped due to overcrowding at schools, John McPherson's quirky characters combined with his warped sense of humor help make the cartoon and the Close to Home 2012 Day-to-Day Calendar one of a kind. As an added bonus, each weekend page will feature an extra Close to Home cartoon on the back.

By the New York Times bestselling author of the Do It Yourself home renovation mysteries...

4th book in the Savannah Martin romantic mystery series, following A Cutthroat Business, Hot Prope! rty, and Contract Pending, by bestselling author Jenna Bennett! AKA Jen nie Bentley.

SYNOPSIS:

Sometimes, trouble hits too close to home.

Savannah's late. The kind of late that comes with midnight feedings and the pitter-patter of little feet. And while it's a circumstance that should make everyone happy - now she can finally settle down and marry Todd Satterfield, the way everyone's been hoping and praying! - it isn't Todd's baby. And Rafe Collier, whose baby it is, didn't sign on for fatherhood.

Add in the murder of Savannah's sister-in-law Sheila, the trial of Sheila's friend Marley, and the disappearance of Rafe's twelve year old son David - the kid he never knew he had - and things get complicated fast. And there is worse to come: When Rafe comes back to Nashville to help look for David, and learns that Savannah's pregnant, things do not work out the way Savannah hopes. In the end, she's left with nothing she wanted and a whole lot of trouble she didn't, and when she gets in over her head, Rafe's! not there to save the day.

ALSO IN THIS SERIES:

A Cutthroat Business (May 2011)
Hot Property (June 2011)
Contract Pending (July 2011)
Close to Home (September 2011)
A Done Deal (December 2011)

ABOUT THE AUTHOR:

Jenna Bennett is the New York Times bestselling author of the Do It Yourself home renovation mysteries from Berkley Prime Crime - written as Jennie Bentley - as well as the Savannah Martin/Cutthroat Business mysteries written as Jenna Bennett. A former Realtor® and home renovator, she makes her home in Nashville, Tennessee, with a husband, two boys, and a house full of pets.

ALSO BY THIS AUTHOR:

Fatal Fixer Upper, DIY-1 (November 2008) written as Jennie Bentley
Spackled and Spooked (August 2009) written as Jennie Bentley
Plaster and Poison (March 2010) written as Jennie Bentley
Mortar and Murder (January 2011) written as Jennie Bentley
Flipped Out (October 20! 11) written as Jennie Bentley


By the New York! Times b estselling author of the Do It Yourself home renovation mysteries...

4th book in the Savannah Martin romantic mystery series, following A Cutthroat Business, Hot Property, and Contract Pending, by bestselling author Jenna Bennett AKA Jennie Bentley.

SYNOPSIS:

Sometimes, trouble hits too close to home.

Savannah's late. The kind of late that comes with midnight feedings and the pitter-patter of little feet. And while it's a circumstance that should make everyone happy - now she can finally settle down and marry Todd Satterfield, the way everyone's been hoping and praying! - it isn't Todd's baby. And Rafe Collier, whose baby it is, didn't sign on for fatherhood.

Add in the murder of Savannah's sister-in-law Sheila, the trial of Sheila's friend Marley, and the disappearance of Rafe's twelve year old son David - the kid he never knew he had - and things get complicated fast. And there is worse to come: When Rafe comes back to Nashville to help ! look for David, and learns that Savannah's pregnant, things do not work out the way Savannah hopes. In the end, she's left with nothing she wanted and a whole lot of trouble she didn't, and when she gets in over her head, Rafe's not there to save the day.

ALSO IN THIS SERIES:

A Cutthroat Business (May 2011)
Hot Property (June 2011)
Contract Pending (July 2011)
Close to Home (September 2011)
A Done Deal (December 2011)

ABOUT THE AUTHOR:

Jenna Bennett is the New York Times bestselling author of the Do It Yourself home renovation mysteries from Berkley Prime Crime - written as Jennie Bentley - as well as the Savannah Martin/Cutthroat Business mysteries written as Jenna Bennett. A former Realtor® and home renovator, she makes her home in Nashville, Tennessee, with a husband, two boys, and a house full of pets.

ALSO BY THIS AUTHOR:

Fatal Fixer Upper, DIY-1 (November 2008) written as Jennie Bentley
Spackled and Spooked (! August 2009) written as Jennie Bentley
Plaster and Poison (! March 20 10) written as Jennie Bentley
Mortar and Murder (January 2011) written as Jennie Bentley
Flipped Out (October 2011) written as Jennie Bentley


2011 debut full length from the Cincinnati, OH band. Despite a few struggles at the start, lately things have been constantly looking up for Close to Home, thanks to their mantra that is now the album name. Heading into recording, the band hooked up with Tom Denney (formerly of A Day To Remember) to record demos, and the group instantly clicked. Denney signed on to produce. Andrew Wade (A Day To Remember, The Word Alive) was brought in to mix the album, and shortly after Close to Home signed to Artery Recordings. "Having this team together was literally a dream come true for us," said guitarist Josh Wells. It also helped the band create and develop their vision for the album, with Wells adding "It's basically the summary of our lives and who we are in pursuit of our dreams."Ferociously Close to Home delivers McP! herson's trademark take on the absurdities of everyday life. To say that his solutions to these perplexing situations is 'out there' is an understatement. Consider Gina, who decides a branding iron will be the ideal memory aid for her birthday date-challenged husband. And poor Lanny, whose treadmill session is interrupted when he inadvertently triggers the health club's offensive odor alarm.

McPherson has long walked the line between grotesque and goofy. But somehow, his figures with big noses and bulging eyes connect with readers with a surefire magnetic precision. Whether it's health care or parenting, dating or car repairs, Close to Home delivers McPherson's warped world without fail.

There are human bones buried in an open field, the remains of a lost teenaged boy whose disappearance devastated a community more than thirty-five years ago ... and scarred a guilt-ridden friend forever.

A long-hidden horror has been unearthed, dragging a tormented policem! an back into a past he could never truly forget no matter how ! desperat ely he tried. A heinous crime that occurred too close to home still has its grip on Chief Inspector Alan Banks -- and it's leading him into a dark place where evil still dwells. Because the secrets that doomed young Graham Marshall back in 1965 remain alive and lethal -- and disturbing them could cost Banks much more than he ever imagined.

Having already shown, in 1999's In a Dry Season, that he can plumb historical homicide for gripping modern drama, Peter Robinson goes further in Close to Home, telling parallel stories about teenage boys lost in a grownup world, decades apart. The first is Graham Marshall, a childhood pal of Detective Chief Inspector Alan Banks, who vanished mysteriously in 1965, the supposed victim of a pedophile. Hearing that Graham's bones have finally been unearthed, Banks quits his vacation in Greece and heads to his hometown of Petersborough, England, hoping to assist the investigation--and, perhaps, assuage his guilt over his friend! ’s fate. Meanwhile, Banks's colleague and ex-lover, Annie Cabbot, is busy probing the recent disappearance of 15-year-old Luke Armitage, the sensitive, brainy son of a rock star who committed suicide during Luke's infancy. After Cabbot catches hell for interrupting what may or may not have been a legitimate ransom payment for Luke's return, she seeks Banks's advice, drawing these two plot lines neatly together.

As this intense and intricately crafted puzzler develops, blending fiction with a bit of fact (the Kray brothers, who ran a criminal ring in London's East End during the mid-20th century, play off-camera roles here), Robinson explores Banks's troubled relationship with his parents, especially his working-class father, who "had never approved of his choice of career." He also raises doubts about a famed copper who’d originally tackled the Marshall case, involves Banks romantically with a damaged detective whose investigative diligence threatens her safety,! and shows Cabbot as someone better and stronger than merely B! anks's p rotégé. Working with themes of lost youth and the dark secrets hidden in small towns, Robinson delivers in this 13th Banks novel a police procedural of remarkable human depth. --J. Kingston Pierce(Drama) Two young, different female soldiers patrol the anxious streets of Jerusalem, questioning Palestinians and looking for suicide bombers. The rebellious one finds the army demeaning; the controlled one is obedient. Under intense pressure, against a backdrop of any-minute-now terrorist attacks, a friendship takes hold and roles reverse.

Ghoulies IV

  • While in pursuit of cop Johnathan Graves, his demonic nemesis, Faust, sends his disciple Alexandria (Barbara Alyn Woods, TV's One Tree Hill) to hunt down the amulet that will set him free. Meanwhile, the Ghoulies find their way through an open porthole and onto the streets of L.A., creating madness and mayhem as they search for a way to get back home. As the body count rises, it becomes an ultimat
GHOULIES GHOULIES 2Everybody's Favorite Troublemakers are on the Loose Again! In pursuit of the amulet that will set him free, a demon sends his disciple to hunt down the cop who possesses it. Meanwhile, the Ghoulies escape through an open porthole, creating madness and mayhem on the streets of L.A. As the body count rises, it becomes an ultimate battle between a demonic killer, a rule-breaking cop, and our favorite creatures from the netherworld!

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Sure, he looks good when he buttons up the short-sleeve Volcom Boys' Ex Factor Solid Shirt, but when at the seafood shack he has to be careful not to eat any shellfish or he'll swell up and pop all the buttons off this fancy shirt.

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Face Off

  • * Widescreen Version. Special Features include:
  • * Commentaries by Director John Woo and Writers Mike Werb and Michael Colleary
  • * 7 Deleted Scenes - Including an Alternate Ending (with Optional Commentary)
  • * English DTS 6.1 * English Dolby Digital 5.1 Surround EX * French 2.0 Surround
  • * Languages - English, French. * Subtitles - English, French, Spanish.
At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barreled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travol! ta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic level! s. --Sean AxmakerStudio: Paramount Home Video Release ! Date: 08 /17/2010 Run time: 140 minutes Rating: RAt his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fiction plastic surgery--and creates a double-barreled revenge film driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man! who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean AxmakerStudio: Paramount Home Video Release Date: 12/09/2008At his best, director John Woo turns action movies into ballets of blood and bullets grounded in character drama. Face/Off marks Woo's first American film to reach the pitched level of his best Hong Kong work (Hard-Boiled). He takes a patently absurd premise--hero and villain exchange identities by literally swapping faces in science-fict! ion plastic surgery--and creates a double-barreled revenge fil! m driven by the split psyches of its newly redefined characters. FBI agent Sean Archer (John Travolta) must play the villain to move through the underworld while psychotic terrorist Castor Troy (Nicolas Cage) becomes a perversely paternal family man while using every tool at his disposal to destroy his nemesis. Travolta vamps Cage's tics and flamboyant excess with the grace of a dancer after his transformation from cop to criminal, while Cage plays the sullen, bottled-up agent excruciatingly trapped behind the face of the man who killed his son. His attempts to live up to the terrorist's reputation become cathartic explosions of violence that both thrill and terrify him. This is merely icing on the cake for action fans, the dramatic backbone for some of the most visceral action thrills ever. Woo fills the screen with one show-stopping set piece after another, bringing a poetic grace to the action freakout with sweeping camerawork and sophisticated editing. This marriage of melodrama! and mayhem ups the ante from cops-and-robbers clichés to a conflict of near-mythic levels. --Sean Axmaker

Werner Herzog: Encounters in the Natural World [Blu-ray]

  • 4-Disc Box Set
  • UK Import
  • Blu-ray
  • Region-Free
ENCOUNTERS AT THE END OF THE WORLD - DVD MovieJust about anywhere Werner Herzog goes becomes an interesting place, in part because the director shapes it with his distinctively sardonic eye. In Encounters at the End of the World, the 'Zog heads off to Antarctica, finding there a population of unusual people, hallucinatory underwater life, and penguins. He doesn't appear on camera, but the unmistakably Teutonic Herzog voice is very much with us all the time, a baleful tour guide for this blank destination. In the human outposts of Antarctica, Herzog finds the kind of people you might expect would gravitate to the edge of existence--the curious, the oddball, the wanderers who've run out of other places to explore. He finds some deadpan hilarity, especially in filming a communication drill involving people practicing bli! zzard conditions (they wear buckets over their heads while roped together). The underwater photography (a realm previously explored in Herzog's The Wild Blue Yonder) is by Henry Kaiser, and it meshes perfectly with the director's interest in alien eye-scapes. And when Herzog finally does find penguins, his imagination goes to the idea that some penguins go insane, scurrying off into their own suicidal directions. This isn't as arresting a film as Grizzly Man, but it is an entertaining travelogue spiked with quirky observations. --Robert HortonIn the most hostile, barren, alien environment on the planet...you meet the most interesting people. Welcome to Antarctica - like you've never experienced it. You've seen the extraordinary marine life, the retreating glaciers and, of course, the penguins, but leave it to award-winning, iconoclastic filmmaker Werner Herzog (Grizzly Man, Rescue Dawn) to be the first to explore the South Pole's most fascinating inhabi! tants...humans. In this one-of-kind documentary, Herzog turns ! his came ra on a group of remarkable individuals, "professional dreamers" who work, play and struggle to survive in a harsh landscape of mesmerizing, otherworldly beauty - perhaps the last frontier on earth.Just about anywhere Werner Herzog goes becomes an interesting place, in part because the director shapes it with his distinctively sardonic eye. In Encounters at the End of the World, the 'Zog heads off to Antarctica, finding there a population of unusual people, hallucinatory underwater life, and penguins. He doesn't appear on camera, but the unmistakably Teutonic Herzog voice is very much with us all the time, a baleful tour guide for this blank destination. In the human outposts of Antarctica, Herzog finds the kind of people you might expect would gravitate to the edge of existence--the curious, the oddball, the wanderers who've run out of other places to explore. He finds some deadpan hilarity, especially in filming a communication drill involving people practicing bliz! zard conditions (they wear buckets over their heads while roped together). The underwater photography (a realm previously explored in Herzog's The Wild Blue Yonder) is by Henry Kaiser, and it meshes perfectly with the director's interest in alien eye-scapes. And when Herzog finally does find penguins, his imagination goes to the idea that some penguins go insane, scurrying off into their own suicidal directions. This isn't as arresting a film as Grizzly Man, but it is an entertaining travelogue spiked with quirky observations. --Robert HortonThis collection highlights the eclectic career of German Filmmaker Werner Herzog. Includes "The Enigma of Kaspar Hauser," Even Dwarfs Started Small," "Fata Morgana & Lessons of Darkness," "Heart of Glass," "Strozsek" and "Little Dieter Needs to Fly."Encounters in the Natural World brings together five stunning films from legendary filmmaker Werner Herzog. Featuring breathtaking scenery and wildlife from around the w! orld - from the sun-kissed frozen expanses of Antarctica, to p! ristine South American rain forest, and grizzly bears is Alaska - these films explore the planet s alluring beauty and man s relationship with it. Encounters at the End of the World: Herzog ventures into the beautiful polar landscape of Antarctica, discovering the astonishing wildlife living there and gaining rare access to the unique hidden society of scientists who call this place home. Grizzly Man: The acclaimed portrait of Timothy Treadwell, a charismatic bear enthusiast who lived amongst these great creatures in remote parts of Alaska for thirteen summers, before succumbing to their ferocious nature. The White Diamond: The visually stunning story of Graham Dorrington s quest to fly a custom-built airship over the rain forest canopies of Guyana. La Soufrière: As a volcano is about to erupt on the island of Guadaloupe, all inhabitants flee for their lives, apart from one man who refuses to leave and accepts his fate at the hands of nature. The Flying Doctors of East Africa: Herz! og s examination of the flying doctors service of the African Medicinal Research Foundation, and the people who devote their lives to it.

Happy Feet

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This fitted yellow tee features a large front screen of an extremely happy SpongeBob face.

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