- Winner of the Grand Jury Prize at the Sundance Film Festival, The Believer is a daring and gripping portrayal of a young Jewish man living an impossible contradiction as a neo-Nazi. Inspired by real events, the film tells the story of Danny Balint (Ryan Gosling) and his struggle between destroying his own people and being drawn back to Judaism. Starring Ryan Gosling (Murder By Numbers) in a cri
Dan Dunne (Ryan Gosling) is a young inner-city junior high school teacher whose ideals wither and die in the face of reality. Day after day in his shabby Brooklyn classroom, he somehow finds the energy to inspire his 13 and 14-year-olds to examine everything from civil rights to the Civil War with a new enthusiasm. Rejecting the standard curriculum in favor of an edgier approach, Dan teaches his students how change works ' on both a historical and personal scale ' and how to think for themselves.
! Though Dan is brilliant, dynamic, and in control in the classroom, he spends his time outside school on the edge of consciousness. His disappointments and disillusionment have led to a serious drug habit. He juggles his hangovers and his homework, keeping his lives separated, until one of his troubled students, Drey (Shareeka Epps), catches him getting high after school.
From this awkward beginning, Dan and Drey stumble into an unexpected friendship. Despite the differences in their ages and situations, they are both at an important intersection. Depending on which way they turn ' and which choices they make ' their lives will change.
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Sometimes people are attrac! ted to e ach other because of their differences. When there's a nebulous attraction between a teacher and a young teenage child--as in the superb Half Nelson--the relationship has all the makings of confused disaster. Though there are a few uncomfortable moments when it's not obvious whether Dan (Ryan Gosling) and Drey (Shareeka Epps) might cross the line, the attraction between the pair is culled less from sexual tension than desperation. Dan is an idealistic history teacher in an inner-city school. Drey is one of his brightest students. For both, drugs represent something that may help them escape their worlds. He takes drugs to dull his dissatisfaction with himself. She views drugs as a possible way to better her life, even though she knows her brother's foray into that trade landed him in jail. Bleakly filmed and well told, Half Nelson soars because of the immaculate acting by Gosling and Epps. With his impish smile, Gosling provides a character that is at once disa! rming, alluring, and pitiful. As the young girl who's already seen too much hardship in her life, Epps plays her part with just the right amount of hardened raw emotion. While the ambiguous ending may not please fans weaned on happy Hollywood finales, it's a fitting and believable close to a thought-provoking film. --Jae-Ha Kim
Stills from Half Nelson (click for larger image)
Beyond Half Nelson at Amazon.com
The Films of Ryan Gosling |
More Oscar Nominated Roles at the Amazon.com Oscar Store |
The Soundtrack |
Sometimes you find love where you'd least expect it. Just ask Lars (Academy Award-Nominee* Ryan Gosling), a sweet but quirky guy who thinks he's found the girl of his dreams in a life-sized doll named Bianca. Lars is completely content with his artificial girlfriend, but when he develops feelings for Margo, an attractive co-worker, Lars finds himself lost in a hilariously unique love triangle, hoping to somehow discover the real meaning of true love. Offbeat and endearing, this romantic comedy takes a fresh look at dating and relationships and dares to ask ! the question: What's so wrong with being happy?To some,
Lar! s and th e Real Girl will play as comedy; to others, tragedy. Though Craig Gillespie (Mr. Woodcock) allows Lars Lindstrom (a mustachioed Ryan Gosling, miles away from
Half Nelson) a happy ending, the road is far from smooth. This rumpled Midwesterner couldn't be more miserable. His brother, Gus (Paul Schneider,
All the Real Girls), and sister-in-law, Karin (Emily Mortimer,
Lovely and Amazing), fall over themselves to cheer him up, but Lars cannot be moved; he’s been like that since childhood. Then a porn-addicted co-worker hips him to the lifelike Real Doll. The next thing everyone knows, Lars has a new girlfriend named Bianca. She's from Brazil, she's shy, and she uses a wheelchair. She's also made of silicon. (Because Lars is a devout Christian, hanky-panky is out of the question.) Since he's finally emerging from his shell, his doctor, Dagmar (Patricia Clarkson), advises Gus and Karin to play along with the "delusion." Soon the whole town, including Marg! o (Kelli Garner), who harbors a not-so-secret crush on her officemate, gets in on the action, forcing Lars to rejoin the human race or crawl deeper into psychosis. Written by
Six Feet Under's Nancy Oliver,
Lars and the Real Girl is built around such a preposterous premise, it's hard to know whether to laugh or cry. Fortunately, the actors play it straight. Gosling does his best to make Lars sympathetic, but Schneider and Mortimer, fully convincing in their concern, are the true heart and soul of this odd little film. --
Kathleen C. Fennessy
Beyond Lars and the Real Girl
More from Ryan Gosling | 
Lars and the Real Girl Soundtrack | 
More Comedies from MGM |
Stills from Lars and the Real Girl
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Blue Valentine is the story of love found and love lost told in past and present moments in time. Flooded with romantic memories of their courtship, Dean and Cindy use one night to try and save their failing marriage. Ryan Gosling and Michelle Williams star in this honest portrait of a relationship on the rocks.Love blooms and dies at the same time in the delicate dance between Oscar nominees Ryan Gosling (Half Nelson) and Michelle Williams (Brokeback Mountain). Gosling's Dean, a high-school dropout, works for a New York moving company. While relocating a frail widower into a retirement home, he spots Cindy, a nursing student who's visiting her grandmother, but the film actually begins six years later. Married with a daughter, they live in rural Pennsylvania. Heavy drinker Dean's looks are fading, while Cindy still turns heads. In his elegantly constructed second feature, writer-director Derek Cianfrance pirouettes between past and present, with each ! scene commenting on the next (set to the bittersweet tones of ! Brooklyn band Grizzly Bear). The Dean of the early years pursues Cindy, who resists at first, but a spontaneous date ends with her tap dancing (badly) and him singing (not so badly). She leaves her domineering boyfriend (Mike Vogel) for this attentive stranger, leading to scenes of intimacy that are far more suggestive than pornographic--even if the MPAA briefly rated the film NC-17. Later, when the family dog goes missing, the cracks in their marriage intensify, so Dean arranges for a night of romance, which plays out like a negative image of their first date. If the two actors, who are very good, are meant to carry equal weight, Gosling has the more difficult task. It's harder to like the clingy, insecure Dean, who loves more intensely and less wisely, but that makes Gosling's the braver performance. --Kathleen C. FennessyBELIEVER - DVD Movie
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In Ron Howard's thrilling follow-up to
The Da Vinci Code, expert symbologist Robert Langdon (Tom Hanks) follows ancient clues on a heart-racing hunt through Rome to find the four Cardinals kidnapped by the deadly secret society, the Illuminati. With the Cardinals' lives on the line, and the Camerlengo (Ewan McGregor) desperate for help, Langdon embarks on a nonstop, action-packed race through sealed crypts, dangerous catacombs, and the most secretive vault on Earth!If the devil is in the details, there's a lot of wicked fun in
Angels & Demons, the sequel (originally a prequel) to
The Da Vinci Code. Director Ron Howard delivers edge-of-your-pew thrills all over the Vatican, the City of Rome, and the deepest, dankest catacombs. Tom Hanks is dependably watchable in his repris! ed role as Professor Robert Langdon, summoned urgently to Rome on a matter of utmost urgency--which happens to coincide with the death of the Pope, meaning the Vatican is teeming with cardinals and Rome is teeming with the faithful. A religious offshoot group, calling themselves the Illuminati, which protested the Catholic Church's prosecution of scientists 400 years ago, has resurfaced and is making extreme, and gruesome, terrorist demands. The film zooms around the city, as Langdon follows clues embedded in art, architecture, and the very bone structure of the Vatican. The cast is terrific, including Ewan McGregor, who is memorable as a young protégé of the late pontiff, and who seems to challenge the common wisdom of the Conclave just by being 40 years younger than his fellows when he lectures for church reform. Stellan Skarsgard is excellent as a gruff commander of the Swiss Guard, who may or may not have thrown in with the Illuminati. But the real star of the film is! Rome, and its High Church gorgeousness, with lush cinematogra! phy by S alvatore Totino, who renders the real sky above the Vatican, in a cataclysmic event, with the detail and majesty of the ceiling of the Sistine Chapel. --
A.T. Hurley Stills from Angels & Demons (click for larger image)
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