Saturday, November 19, 2011

Austin Powers Collection (International Man of Mystery / The Spy Who Shagged Me / Goldmember) [Blu-ray]

  • Condition: New
  • Format: Blu-ray
  • AC-3; Box set; Color; Dolby; Special Edition; Subtitled; Widescreen
Austin Powers-International Man of Mystery Name: Austin Danger Powers. Sex: Yes, please! Combine the swinging '60s, spy movies, talented Mike Myers in dual roles and one hilariously well- placed champagne bottle and you get Austin Powers: International Man of Mystery. Say "Yeah, baby!" for laughs as Flower Power-era superspy Austin (Myers) is thawed from a 30-year cryogenic freeze to stop the world-dominating scheme of bald baddie Dr. Evil (also Myers). Elizabeth Hurley, shagadelic style and Austin's randy attempts to find '60s-style free love in a very different, uptight time add to the groovy fun of this mad, mod, Myers world.

Austin Powers: The Spy Who Shagged Me He's back--back in the 1960s. Secret agent Austin Powers (Mike Myers) hops in a top-secret time machine and z! ips 30 years back to 1969 to confront Dr. Evil (Myers) and his latest, vilest scheme. Evil is eviler â€" he has a diminutive clone Mini-Me (Verne J. Troyer) and massive Fat Bastard (Myers) as a henchmen. Austin, who "put the grrr in swinger, baby," is swingier…if he and fab spy chick Felicity Shagwell (Heather Graham) can recover the mojo Evil stole from Austin.

Austin Powers in Goldmember The mission for Austin (Mike Myers): Shake booty into the glittery roller-disco days of 1975 and rescue his suave spy dad (Michael Caine) from the scheme of â€" Shh! â€" Dr. Evil (Myers). The minions: freaky-flakey Goldmember, Fat Bastard (both played by Myers) and Mini Me (Verne Troyer). The minx: Austin's sassy ex-squeeze Foxxy Cleopatra (Beyoncé Knowles). The result: a three-for-all of grooviness that whisks from the 2000s to the 1970s and back to the 2000s â€" the screamingly funny third Austin Powers!

Phineas and Ferb #7: Freeze Frame

  • ISBN13: 9781423127413
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!
Limited Edition Japanese pressing of this album comes housed in a miniature LP sleeve. EMI. 2008.
When Phineas and Ferb’s older sister, Candace, discovers that a traffic camera has recorded her brothers’ crazy adventures, she is thrilled that she finally can prove that they are always up to something! But little does she know that Perry the Platypus is after the same camera because it has caught him disguised as Agent P! Who will get to the camera first? Plus, the wild times continue when Phineas and Ferb build a giant bowling alley!

Balls of Fury

  • Control your ping pong paddle and make a variety of shots by using the Wii Remote
  • Play as Randy Daytona, Feng, or one of 18 other characters from the movie
  • Experience intense ping pong battles as you follow key events from the movie in Story Mode
  • Play against a friend in Multiplayer Mode to find the true ping pong champion
Watch the balls fly in this hilarious, action-packed comedy starring Christopher Walken (Hairspray) and George Lopez (The George Lopez Show)! When former professional table tennis phenomenon Randy Daytona (Dan Fogler) is recruited by FBI Agent RodriguezBalls of Fury will score points with anyone who ever wished that Enter the Dragon played out in the subterranean "underbelly of ping pong" instead of the world of martial arts. Tony Award-winner Dan Fogler (The 25th Annual Putnam County Spelling Bee), joining the ranks of Jack Bla! ck, Seth Rogan, and Jonah Hill as a schlub (romantic?) hero, stars as Randy Daytona, a Def Leppard-loving ping-pong wizard who, as a 12-year-old, was disgraced at the 1988 Olympics. Nineteen years later and gone to seed, he is reduced to performing a novelty act in Reno until an FBI Agent (George Lopez, and yes, at one point, he will proclaim, "Say hello to my little friend" a la Al Pacino in Scarface) recruits him to infiltrate an underground ping pong tournament run by Feng (Christopher Walken), the arch villain who killed Daytona's father. Co-written by Reno 911 colleagues Robert Ben Garant (who also directed) and Thomas Lennon (who costars as Daytona's taunting East Berlin rival), Balls of Fury is hit and miss, but it fitfully kills with some ace performances, including Walken, bringing more cowbell, as Feng, resplendent in silks and red fingernails (his Christopher Walken impression, while perhaps not as uncanny as Kevin Spacey's or Jay Mohr's, is ! dead-on). James Hong puts a wicked spin on the clichéd role ! of mento r, and action babe Maggie Q rocks as his niece. Look quick for David Koechner as hopeless entertainer Rick the Birdmaster, Patton Oswalt as an obnoxious early opponent, Kerri Kenney-Silver as a showgirl, and Diedrich Bader as one of Feng's imprisoned sex slaves (don't ask). With less go-for-the-groin humor than the title might indicate, Balls of Fury brings its A-game with some subversive bits of business, such as an ominous moment that is undercut when a menacing character is forced to re-enter the scene to ask for directions back to the highway. --Donald LiebensonWatch the balls fly in this hilarious, action-packed comedy starring Christopher Walken (Hairspray) and George Lopez (The George Lopez Show)! When former professional table tennis phenomenon Randy Daytona (Dan Fogler) is recruited by FBI Agent RodriguezBalls of Fury will score points with anyone who ever wished that Enter the Dragon played out in the subterranean "underbelly of ping po! ng" instead of the world of martial arts. Tony Award-winner Dan Fogler (The 25th Annual Putnam County Spelling Bee), joining the ranks of Jack Black, Seth Rogan, and Jonah Hill as a schlub (romantic?) hero, stars as Randy Daytona, a Def Leppard-loving ping-pong wizard who, as a 12-year-old, was disgraced at the 1988 Olympics. Nineteen years later and gone to seed, he is reduced to performing a novelty act in Reno until an FBI Agent (George Lopez, and yes, at one point, he will proclaim, "Say hello to my little friend" a la Al Pacino in Scarface) recruits him to infiltrate an underground ping pong tournament run by Feng (Christopher Walken), the arch villain who killed Daytona's father. Co-written by Reno 911 colleagues Robert Ben Garant (who also directed) and Thomas Lennon (who costars as Daytona's taunting East Berlin rival), Balls of Fury is hit and miss, but it fitfully kills with some ace performances, including Walken, bringing more cowbell! , as Feng, resplendent in silks and red fingernails (his Chris! topher W alken impression, while perhaps not as uncanny as Kevin Spacey's or Jay Mohr's, is dead-on). James Hong puts a wicked spin on the clichéd role of mentor, and action babe Maggie Q rocks as his niece. Look quick for David Koechner as hopeless entertainer Rick the Birdmaster, Patton Oswalt as an obnoxious early opponent, Kerri Kenney-Silver as a showgirl, and Diedrich Bader as one of Feng's imprisoned sex slaves (don't ask). With less go-for-the-groin humor than the title might indicate, Balls of Fury brings its A-game with some subversive bits of business, such as an ominous moment that is undercut when a menacing character is forced to re-enter the scene to ask for directions back to the highway. --Donald LiebensonWatch the balls fly in this hilarious, action-packed comedy starring Christopher Walken (Hairspray) and George Lopez (The George Lopez Show)! When former professional table tennis phenomenon Randy Daytona (Dan Fogler) is recruited by FBI Agent Rodri! guez (Lopez) for a mission in the unsanctioned, underground and utterly unhinged world of extreme table tennis, he's determined to bounce back to his former glory and smoke out his father's killer, the arch-fiend Feng (Walken). But with danger coming at him from every angle, will Randy be able to keep his eye on the balls? From the creators of Night at the Museum and Reno 911! comes the outrageous film critics are calling "a fast, furious comedy!" (Thelma Adams, US Weekly)Balls of Fury will score points with anyone who ever wished that Enter the Dragon played out in the subterranean "underbelly of ping pong" instead of the world of martial arts. Tony Award-winner Dan Fogler (The 25th Annual Putnam County Spelling Bee), joining the ranks of Jack Black, Seth Rogan, and Jonah Hill as a schlub (romantic?) hero, stars as Randy Daytona, a Def Leppard-loving ping-pong wizard who, as a 12-year-old, was disgraced at the 1988 Olympics. Nineteen years later and go! ne to seed, he is reduced to performing a novelty act in Reno ! until an FBI Agent (George Lopez, and yes, at one point, he will proclaim, "Say hello to my little friend" a la Al Pacino in Scarface) recruits him to infiltrate an underground ping pong tournament run by Feng (Christopher Walken), the arch villain who killed Daytona's father. Co-written by Reno 911 colleagues Robert Ben Garant (who also directed) and Thomas Lennon (who costars as Daytona's taunting East Berlin rival), Balls of Fury is hit and miss, but it fitfully kills with some ace performances, including Walken, bringing more cowbell, as Feng, resplendent in silks and red fingernails (his Christopher Walken impression, while perhaps not as uncanny as Kevin Spacey's or Jay Mohr's, is dead-on). James Hong puts a wicked spin on the clichéd role of mentor, and action babe Maggie Q rocks as his niece. Look quick for David Koechner as hopeless entertainer Rick the Birdmaster, Patton Oswalt as an obnoxious early opponent, Kerri Kenney-Silver as a showgirl, and Di! edrich Bader as one of Feng's imprisoned sex slaves (don't ask). With less go-for-the-groin humor than the title might indicate, Balls of Fury brings its A-game with some subversive bits of business, such as an ominous moment that is undercut when a menacing character is forced to re-enter the scene to ask for directions back to the highway. --Donald LiebensonWhen rival figure skaters Chazz Michael Michaels (Will Ferrell) and Jimmy MacElroy (Jon Heder) go ballistic in an embarrassing, no-holds-barred fight at the World Championships, they are stripped of their gold medals and banned from the sport for life. Now, three-and-a-half years on, they’ve found a loophole that will allow them to compete: if they can put aside their differences, they can skate together â€" in pairs’ figure skatingTake two male figure skaters, throw in a preposterous storyline, and you've got Blades of Glory, a surprisingly funny film that almost makes you forgive Will Ferrel! l for his back-to-back 2005 clunkers Kicking & Screaming and Bewitched. This time around, Ferrell eats the scenery in his role as a sex-addicted, cocky skating champ named Chazz Michael Michaels. When he gets into an on-podium fight with his nemesis and co-gold medallist Jimmy MacElroy (Jon Heder, Napoleon Dynamite), both skaters are banned from competing in men's figure-skating events. Forever. Their fall from grace is brutal. Chazz is forced to work for a D-list skating show, while pampered Jimmy is disowned by his wealthy and cold-hearted adoptive father (excellently played by William Fichtner), who only wants to be around winners. When Jimmy points out that he tied for gold, his dad cruelly says, "If I wanted to share, I would've bought you a brother." Flash forward 3-1/2 years and Jimmy's No. 1 stalker Hector (Nick Swardson) says he's found a loophole. Jimmy's been banned from men's singles events, but there's nothing that says he can't compete in pairs skating. After a chance meeting with Chazz, mayhem ensues as the ! two rivals team up to go against the brother-and-sister team of Stranz and Fairchild Van Waldenberg (played by Will Arnett and his real-life wife, Amy Poehler of Saturday Night Live and Mean Girls fame). The Van Waldenbergs will stop at nothing to beat the competition, even if that means literally beating up the competition. They have no qualms manipulating their sweet little sister (Jenna Fischer, The Office) to seduce both men to try to break up the team.

The finale will be no surprise to moviegoers who know that comedies like this aren't set up to make its leading men losers. But there is one brief skating sequence set in North Korea that will surprise (and shock) many viewers because of its brutality. Ferrell and Heder make a great comedy team. Though he has been accused of playing the same role since his breakthrough performance in Napoleon Dynamite and, to a certain extent, plays a similar type of role here, Heder is spot-on as Jimmy. ! He manages to convey innocence, bitterness, and longing--all w! ithin th e span of a few seconds and while wearing a peacock unitard (You can understand why Hector is so enthralled with him). Look for guest appearances by real-life skating champs Scott Hamilton, Brian Boitano, Peggy Fleming, Dorothy Hamill, Nancy Kerrigan, and Sasha Cohen, who gets to sniff Chazz's jockstrap. --Jae-Ha Kim

Beyond Blades of Glory


More "Blades" on DVD

More DVDs with Will Ferrell

The Soundtrack

Stills from ! Blades of Glory (click for larger image)










Welcome to the unsanctioned, underground world of ping-pong tournaments. Down-and-out former professional ping-pong phenom Randy Daytona is sucked into this maelstorm when FBI Agent Ernie Rodriguez recruits him for a secret mission. Randy is determined to bounce back and win, and to smoke out his father's killer -- arch fiend Feng.

Knock Knock Hangover Recovery Kit

  • Soothes regret, restores dignity
  • Comes in a 2.75 x 3.75-inch tin box
  • Contains 16-page remedy booklet, silicone bracelet, 5 affirmation cards, 5 healing bandages
  • Contains a recovery certificate and metal charm

Vanity Fair presents 21 true stories of the new hard times

Where did all the billions go?

Commissioned by the editors at Vanity Fair magazine, The Great Hangover is an eye-opening collection of essays on the global economic crisis by fifteen of the most respected contemporary business writers in America, including:

Bryan Burrough (Barbarians at the Gate) on the atmosphere of uncertainty and fear that preceded the demise of Bear Stearns . . .

Michael Lewis (Liar's Poker) on Iceland's bizarre national implosion . . .

Mark Bowden (Black Hawk Down) on ! the decline of The New York Times and the threat to the ailing newspaper industry . . .

Mark Seal on the defining figure of the seriously tarnished New Gilded Age: the Grand Master of Greed, Bernie Madoff . . .

Along with compelling and sometimes hair-raising pieces from a dozen other Vanity Fair contributors on the recent recession's myriad villains and victimsâ€"and the worldwide impact of the financial downturn.

Phil (Bradley Cooper), Stu (Ed Helms), Alan (Zach Galifi anakis) and Doug (Justin Bartha) travel to exotic Thailand for Stu's wedding. What could go wrong? Director Todd Phillips' explosively funny follow-up to his award-winning smash hit demonstrates that though what happens in Vegas may stay in Vegas, what happens in Bangkok can hardly be imagined! Just when you were starting to sober up after The Hangover… along comes The Hangover Part II--a deft dose of hair of the dog that will keep fans of the original scr! eaming with laughter once again. Director Todd Phillips brings! back hi s great cast--Bradley Cooper, Zach Galifianakis, Justin Bartha, and Ed Helms for another splendid exercise in debauchery--and its painful aftermath. And perhaps surprisingly, The Hangover Part II keeps the laugh levels high. While the element of surprise is not here in the sequel, writer Craig Mazin, Scot Armstrong, and Phillips have upped the shock factor, resulting in humor that's sometimes not exactly politically correct, but is fall-down funny anyway. In The Hangover Part II, Stu (Helms) is marrying a Thai-American woman (Jamie Chung), and the entire wedding party is flying to Thailand for the ceremony. Quicker than you can say "bachelor brunch," the boys are off on some kind of mystery adventure that results in some pretty serious, and pretty hilarious repercussions. (There's an unfortunate tattoo incident, one not easily covered up; there's an unexplained monkey--in a Rolling Stones shirt--now added to the entourage; and one of the group is missing.) The ! setup is familiar, but the ensemble of actors is so confident, their chemistry so easy, that the viewer enjoys their long, strange trip with bust-out-loud laughs. And you can't ask for much more in a buddy comedy. --A.T. Hurley

Vanity Fair presents 21 true stories of the new hard times

Where did all the billions go?

Commissioned by the editors at Vanity Fair magazine, The Great Hangover is an eye-opening collection of essays on the global economic crisis by fifteen of the most respected contemporary business writers in America, including:

Bryan Burrough (Barbarians at the Gate) on the atmosphere of uncertainty and fear that preceded the demise of Bear Stearns . . .

Michael Lewis (Liar's Poker) on Iceland's bizarre national implosion . . .

Mark Bowden (Black Hawk Down) on the decline of The New York Times and the threat to the ailing newspaper industry . . .

Mark Seal on the defining figure of the seriously tarnish! ed New G ilded Age: the Grand Master of Greed, Bernie Madoff . . .

Along with compelling and sometimes hair-raising pieces from a dozen other Vanity Fair contributors on the recent recession's myriad villains and victimsâ€"and the worldwide impact of the financial downturn.

Vanity Fair presents 21 true stories of the new hard times

Where did all the billions go?

Commissioned by the editors at Vanity Fair magazine, The Great Hangover is an eye-opening collection of essays on the global economic crisis by fifteen of the most respected contemporary business writers in America, including:

Bryan Burrough (Barbarians at the Gate) on the atmosphere of uncertainty and fear that preceded the demise of Bear Stearns . . .

Michael Lewis (Liar's Poker) on Iceland's bizarre national implosion . . .

Mark Bowden (Black Hawk Down) on the decline of The New York Times and the ! threat to the ailing newspaper industry . . .

Mark Seal on the defining figure of the seriously tarnished New Gilded Age: the Grand Master of Greed, Bernie Madoff . . .

Along with compelling and sometimes hair-raising pieces from a dozen other Vanity Fair contributors on the recent recession's myriad villains and victimsâ€"and the worldwide impact of the financial downturn.

From the director of "Old School" comes a new comedy about a bachelor party in Vegas gone horribly wrong. Two days before his wedding, Doug (Justin Bartha) and his three buddies (Bradley Cooper, Ed Helms, and Zach Galifianakis) drive to Vegas for a night they'll never forget. But when the three groomsmen wake up the next morning with pounding headaches, they can't remember a thing and the groom is nowhere to be found. With little time to spare the trio must attempt to retrace their bad decisions from the night before in order to get Doug back to LA in time for his wedding. Soundtr! ack features performances by The Dan Band and Mike Tyson. Ever! y bad ha ngover starts with a great party album.Occasionally even the most temperate among us overindulge, and the next-day results are usually none too pretty. Offer a friend-or yourself-maximum relief from last night's over-the-top bender with our all-new Hangover Recovery Kit. It's guaranteed to turn your affliction into conviction. Soothes regret, restores dignity! More effective than a pint of hair of the dog! Tin box is 2.75 x 3.75 x 1.875-inches and contains 16-page remedy booklet, silicone bracelet, 5 affirmation cards, 5 healing bandages, recovery certificate, and metal charm.

Lost in Translation

  • Oscar for Best Original Screenplay
  • A Conversation with Bill Murray and Sofia Coppola
  • "Lost" on Location: Behind the Scenes Documentary
  • "City Girl" Music Video by Kevin Shields
  • Extended and Deleted Scenes and More
Bill Murray (Lost in Translation) stars in the comedic story of an aging Don Juan who hits the road on a revealing and humorous cross-country journey. When a mysterious pink letter informs Don Johnston (Murray) that he may have a 19-year-old son, he visits four former lovers, where he comes face to face with the errors of his past and the possibilities of the future. From acclaimed director Jim Jarmusch and co-starring Sharon Stone, Frances Conroy, Jessica Lange, Tilda Swinton, and Jeffrey Wright, Broken Flowers is the highly original comedy that Peter Travers of Rolling Stone says is "filled with wonderful mischief" and "brings out the best in Bil! l Murray." Starring: Bill Murray, Sharon Stone, Jessica Lange, Jeffrey Wright, Tilda Swinton, Frances Conroy, Julie Delpy, Mark Webber, Chloe Sevigny, Christopher McDonald, Alexis Dziena Directed by: Jim JarmuschBill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's Broken Flowers. Don Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, The Quick and the Dead; Frances Conroy, Six Feet Under; Jessica Lange, Sweet Dreams; and T! ilda Swinton, The Deep End) who were once his lovers. P! art road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. --Bret FetzerBill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's "Broken Flowers". Don Johnston (Murray, "Lost in Translation", "Rushmore") receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, "Shaft", "Basquiat"), who not on! ly tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, "The Quick and the Dead"; Frances Conroy, "Six Feet Under"; Jessica Lange, "Sweet Dreams"; and Tilda Swinton, "The Deep End") who were once his lovers. Part road movie, part detective story, part existential meditation, "Broken Flowers" is even more minimalist than most Jarmusch movies ("Stranger Than Paradise", "Dead Man", "Mystery Train")--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--"Broken Flowers" will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. "--Bret Fetzer"Bill Murray gives yet another simple, seemingly effortless, y! et illuminating performance in Jim Jarmusch's Broken Flower! s. D on Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, The Quick and the Dead; Frances Conroy, Six Feet Under; Jessica Lange, Sweet Dreams; and Tilda Swinton, The Deep End) who were once his lovers. Part road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for any! one willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. --Bret Fetzer

SHE WAS TOO GROWN-UP FOR CHILDISH GAMES.

BUT TOO YOUNG TO BECOME A WOMAN. . . .

Living with her parents and brother, Ian, in her Grandmother Emma's enormous mansion, Jordan March tries to be a good girl and follow her grandmother's strict rules. It's easy for Jordan to hide in the shadows -- between Ian's brilliant, all-consuming talents for science and the ever-more-frequent arguments among the grown-ups. But one day, without warning, Jordan's body begins to change -- and everyone notices her in a way that seems dark, dangerous, and threatening. Suddenly the March family secrets are unleashed, and Jordan is ashamed and afraid that her soft curves ! are unwelcome indeed. Shipped off to a lakeside hideaway, Jord! an and I an befriend a girl whose shocking revelations make for a summer of scandal and explosive emotion. Outraged, Grandmother Emma sets out to make Jordan pay for her family's past mistakes, sending her world spinning wildly out of control. . . .Universal, Studios, Region 2 PAL 2005 106 minsBill Murray gives yet another simple, seemingly effortless, yet illuminating performance in Jim Jarmusch's Broken Flowers. Don Johnston (Murray, Lost in Translation, Rushmore) receives an anonymous letter telling him that he has a 19 year old son who's looking for him. Don only decides to investigate at the prompting of his neighbor Winston (the indispensable Jeffrey Wright, Shaft, Basquiat), who not only tracks down the current addresses of the possible mothers, he plans Don's entire trip down to the rental cars. Almost against his will, Don finds himself knocking at the doors of four very different women (Sharon Stone, The Quick and the Dead; Frances ! Conroy, Six Feet Under; Jessica Lange, Sweet Dreams; and Tilda Swinton, The Deep End) who were once his lovers. Part road movie, part detective story, part existential meditation, Broken Flowers is even more minimalist than most Jarmusch movies (Stranger Than Paradise, Dead Man, Mystery Train)--anyone looking for an easy resolution should look elsewhere. But for anyone willing to let a movie be a poem as much as a story--i.e., let it observe behavior without explaining it--Broken Flowers will offer a wealth of mysteries, gestures, and Bill Murray's soulful eyes. It's a movie that's wonderfully eloquent about what's not being said. --Bret Fetzertitolo-broken flowersetichetta-decca (black and white)-n. dischi1data23 novembre 2005supporto-cd audiogenere-pop e rock internazionalecolonne sonore-----brani-1.the greenhornes with holly golightly - there is an endascolta2.mulatu astatke - yegelle tezetaascolta3.the tenno! rs - ride your donkeyascolta4.marvin gaye - i want youascolta5! .mulatu astatke - yekermo sewascolta6.brian jonestown massacre - not if you were the last dandy on earthascolta-7.holly golightly - tell me now so i knowascolta8.mulatu astatke - gubelyeascolta9.dopesmoker - sleepascolta10.oxford camerata - requiem, op.48 by gabriel fauriascolta11.dengue fever - ethanopiumascolta12.the greenhornes - unnaturalWill this soundtrack do for Ethiopian composer and musician Mulatu Astatke what Titanic did for Celine Dion? Well...maybe on a much, much smaller scale. Astatke's circle of Western fans has already expanded thanks to the compilation Ethiopiques, Vol. 4: Ethio Jazz & Musique Instrumentale, 1969-¬1974, and Jim Jarmusch's movie puts his hypnotic instrumentals to great use. This isn't surprising, since Jarmusch is a filmmaker with a natural affinity for music and its use onscreen. Here, a three-minute excerpt from stoner-rock legend Sleep's titanic "Dopesmoker" only offers a sample of the song (it actually lasts an hour) but it still ! sounds awesome, especially stuck between an Astatke track and Gabriel Fauré's "Requiem, Op. 48 (Pie Jesu)." Garage vets the Greenhornes and Holly Golightly contribute tracks together and separately, while indie-rockers Brian Jonestown Massacre's "Not If You Were the Last Dandy on Earth" (an answer song to the Dandy Warhols' "Not If You Were the Last Junkie on Earth") sounds as bilious now as it did in 1997. This is a rare case of a soundtrack that pulls together a broad range of artists yet remains oddly consistent--no doubt because it was assembled by a director with vision instead of a focus group. --Elisabeth Vincentelli

Bill Murray (Actor), Scarlett Johansson (Actor), Sofia Coppola (Director) | Rated: R | Format: DVD

  • # DVD Release Date: May 3, 2009
  • # Run Time: 104 minutes
Like a good dream, Sofia Coppola's Lost in Translation envelops you with an aura of fantastic light, moody sound, head-turning love, and a feeling of déjà! vu, even though you've probably never been to this neon-fused! version of Tokyo. Certainly Bob Harris has not. The 50-ish actor has signed on for big money shooting whiskey ads instead of doing something good for his career or his long-distance family. Jetlagged, helplessly lost with his Japanese-speaking director, and out of sync with the metropolis, Harris (Bill Murray, never better) befriends the married but lovelorn 25-year-old Charlotte (played with heaps of poise by 18-year-old Scarlett Johansson). Even before her photographer husband all but abandons her, she is adrift like Harris but in a total entrapment of youth. How Charlotte and Bill discover they are soul mates will be cherished for years to come. Written and directed by Coppola (The Virgin Suicides), the film is far more atmospheric than plot-driven: we whiz through Tokyo parties, karaoke bars, and odd nightlife, always ending up in the impossibly posh hotel where the two are staying. The wisps of bittersweet loneliness of Bill and Charlotte are handled smartly and romanti! cally, but unlike modern studio films, this isn't a May-November fling film. Surely and steadily, the film ends on a much-talked-about grace note, which may burn some, yet awards film lovers who "always had Paris" with another cinematic destination of the heart. --Doug Thomas

Amusement [Blu-ray]

  • Tabitha. Shelby. Lisa. They're longtime friends on separate life paths. But they share a horrific destination when a seemingly innocent incident from their school days comes back to terrify them. Something - someone - wants payback: warped vengeance. mind-games vengeance.taunting, shredding, slashing vengeance. Inside a stone-walled chamber of prison cells and mechanisms of doom, the three women
Tabitha. Shelby. Lisa. Theyre longtime friends on separate life paths. But they share a horrific destination when a seemingly innocent incident from their school days comes back to terrify them. Something someone wants payback: warped vengeance…mind-games vengeance…taunting, shredding, slashing vengeance. Inside a stonewalled chamber of prison cells and mechanisms of doom, the three women and other victims face a fierce fight to survive. Who lives? Who dies? Its all for someones Amusement. From sc! reenwriter Jake Wade Wall (The Hitcher) and director John Simpson (Freeze Frame) comes a new film foray into horror. Turn down the lights. Turn up the fear.Amusement opens with a too-long scene involving a girl named Shelby’s (Laura Breckenridge) reluctance to join a trucking convoy that her boyfriend behind the wheel is for some reason totally dedicated to. One can guess if they ever return from this fateful road trip. From here, the film splinters into three more parts, focusing on Shelby’s childhood friends, Lisa (Jessica Lucas) and Tabitha (Katheryn Winnick), and finally, a serial killer who aims to ensnare them all because they didn’t laugh at his animal-torturing diorama in grade school. The killer, a brainiac who sports rubber apron, gloves, and goggles for his sick enterprises, operates on the premise that his killings are funny, and cackles ring throughout the film. There is not a tremendous amount of gore in Amusement, as it focuses on what lit! tle suspense it manages, as citizens and FBI agents alike fail! to catc h the crafty villain. Perhaps the most notable aspect to this film is the mysterious criminal ringleader, a clown doll, who appears midway through as Tabitha tries to babysit. Furthering Stephen King’s It tradition, this movie gets slightly better when the girls enter this evil clown’s territory, a bedroom packed with clown toys. However, the clown and his clown posse are a bit non sequitur, and the entire film feels confused and patched together. Return to Child’s Play if you really want to delve into evil toys and the young boys who play with them. --Trinie DaltonTabitha. Shelby. Lisa. They're longtime friends on separate life paths. But they share a horrific destination when a seemingly innocent incident from their school days comes back to terrify them. Something - someone - wants payback: warped vengeance... mind-games vengeance...taunting, shredding, slashing vengeance. Inside a stone-walled chamber of prison cells and mechanisms of doom, the! three women and other victims face a fierce fight to survive. Who lives? Who dies? It's all for someone's Amusement. From screenwriter Jake Wade Wall (The Hitcher) and director John Simpson (Freeze Frame) comes a new film foray into horror. Turn down the lights. Turn up the fear.Amusement opens with a too-long scene involving a girl named Shelby’s (Laura Breckenridge) reluctance to join a trucking convoy that her boyfriend behind the wheel is for some reason totally dedicated to. One can guess if they ever return from this fateful road trip. From here, the film splinters into three more parts, focusing on Shelby’s childhood friends, Lisa (Jessica Lucas) and Tabitha (Katheryn Winnick), and finally, a serial killer who aims to ensnare them all because they didn’t laugh at his animal-torturing diorama in grade school. The killer, a brainiac who sports rubber apron, gloves, and goggles for his sick enterprises, operates on the premise that his killings are funny, ! and cackles ring throughout the film. There is not a tremendou! s amount of gore in Amusement, as it focuses on what little suspense it manages, as citizens and FBI agents alike fail to catch the crafty villain. Perhaps the most notable aspect to this film is the mysterious criminal ringleader, a clown doll, who appears midway through as Tabitha tries to babysit. Furthering Stephen King’s It tradition, this movie gets slightly better when the girls enter this evil clown’s territory, a bedroom packed with clown toys. However, the clown and his clown posse are a bit non sequitur, and the entire film feels confused and patched together. Return to Child’s Play if you really want to delve into evil toys and the young boys who play with them. --Trinie Dalton

Double Feature: Big Trouble in Little China & Planet of the Apes

  • 2-DVD Set
  • Double Feature
  • Feature Length Movie
Directed by thrill master John Carpenter, this edgo-of-your seat adventrue stars Kurt Russell as Jack Burton, a tough-talking, wisecracking truck driver whose hum-drum life on the road takes a sudden supernatural tailspin when his best friend's fiancee is kidnapped. Speeding to the rescue, Jack finds himself deep beneath San Francisco's Chinatown, in a murky, creature-filled world ruled by Lo Pan, a 2000-year-old magician who mercilessly presides over an empire of spirits. Dodging demons and facing baffling terrors, Jack battles his way through Lo Pan's dark domain in a full-throttle, action-riddled ride to rescue the girl. Co-starring Kim Cattrall, this effects-filled sci-fi spectacle speeds to an incredible, twist-taking finish.Once you settle into the realization that this 1986 John Carpenter (Halloween) film is not go! ing to be one of the director's more masterful works, Big Trouble in Little China just becomes a full-tilt comic blast. Kurt Russell is hilarious as a drawling, would-be John Wayne hero who steps into the middle of a supernatural war in the heart of Chinatown. While kung fu warriors and otherworldly spirits battle over the fate of two women (Kim Cattrall and Suzee Pai), Russell's swaggering idiot manages to knock himself out or underestimate the forces he's dealing with. The whole thing is dopey, but it's supposed to be dopey and Russell's game performance brings an ironic edge. Carpenter directs some nifty spook effects (the sudden arrival of three martial arts demigods from out of nowhere is worth applause), and he also wrote the music. --Tom Keogh Directed by thrill master John Carpenter, this edge-of-your seat adventure stars Kurt Russell as Jack Burton, a tough-talking, wisecracking truck driver whose hum-drum life on the road takes a sudden supernatural ! tailspin when his best friend's fiancee is kidnapped. Speeding! to the rescue, Jack finds himself deep beneath San Francisco's Chinatown, in a murky, creature-filled world ruled by Lo Pan, a 2000-year-old magician who mercilessly presides over an empire of spirits. Dodging demons and facing baffling terrors, Jack battles his way through Lo Pan's dark domain in a full-throttle, action-riddled ride to rescue the girl. Co-starring Kim Cattrall, this effects-filled sci-fi spectacle speeds to an incredible, twist-taking finish.

  • Audio: English: 5.1 DTS HD Master Audio, Dolby Surround / Spanish & French: 5.1 Dolby Digital
  • Language: Dubbed & Subtitled: English, French & Spanish
  • Aspect Ratio: Widescreen: 2.35:1
Once you settle into the realization that this 1986 John Carpenter (Halloween) film is not going to be one of the director's more masterful works, Big Trouble in Little China just becomes a full-tilt comic blast. Kurt Russell is hilarious as a drawling, would-be John Wayne hero who! steps into the middle of a supernatural war in the heart of Chinatown. While kung fu warriors and otherworldly spirits battle over the fate of two women (Kim Cattrall and Suzee Pai), Russell's swaggering idiot manages to knock himself out or underestimate the forces he's dealing with. The whole thing is dopey, but it's supposed to be dopey and Russell's game performance brings an ironic edge. Carpenter directs some nifty spook effects (the sudden arrival of three martial arts demigods from out of nowhere is worth applause), and he also wrote the music. --Tom Keogh Once you settle into the realization that this 1986 John Carpenter (Halloween) film is not going to be one of the director's more masterful works, Big Trouble in Little China just becomes a full-tilt comic blast. Kurt Russell is hilarious as a drawling, would-be John Wayne hero who steps into the middle of a supernatural war in the heart of Chinatown. While kung fu warriors and otherworldly s! pirits battle over the fate of two women (Kim Cattrall and Suz! ee Pai), Russell's swaggering idiot manages to knock himself out or underestimate the forces he's dealing with. The whole thing is dopey, but it's supposed to be dopey and Russell's game performance brings an ironic edge. Carpenter directs some nifty spook effects (the sudden arrival of three martial arts demigods from out of nowhere is worth applause), and he also wrote the music. --Tom Keogh Directed by thrill master John Carpenter, this edgo-of-your seat adventrue stars Kurt Russell as Jack Burton, a tough-talking, wisecracking truck driver whose hum-drum life on the road takes a sudden supernatural tailspin when his best friend's fiancee is kidnapped. Speeding to the rescue, Jack finds himself deep beneath San Francisco's Chinatown, in a murky, creature-filled world ruled by Lo Pan, a 2000-year-old magician who mercilessly presides over an empire of spirits. Dodging demons and facing baffling terrors, Jack battles his way through Lo Pan's dark domain in a full-throttle,! action-riddled ride to rescue the girl. Co-starring Kim Cattrall, this effects-filled sci-fi spectacle speeds to an incredible, twist-taking finish.Once you settle into the realization that this 1986 John Carpenter (Halloween) film is not going to be one of the director's more masterful works, Big Trouble in Little China just becomes a full-tilt comic blast. Kurt Russell is hilarious as a drawling, would-be John Wayne hero who steps into the middle of a supernatural war in the heart of Chinatown. While kung fu warriors and otherworldly spirits battle over the fate of two women (Kim Cattrall and Suzee Pai), Russell's swaggering idiot manages to knock himself out or underestimate the forces he's dealing with. The whole thing is dopey, but it's supposed to be dopey and Russell's game performance brings an ironic edge. Carpenter directs some nifty spook effects (the sudden arrival of three martial arts demigods from out of nowhere is worth applause), and he also! wrote the music. --Tom Keogh Once you settle into the ! realizat ion that this 1986 John Carpenter (Halloween) film is not going to be one of the director's more masterful works, Big Trouble in Little China just becomes a full-tilt comic blast. Kurt Russell is hilarious as a drawling, would-be John Wayne hero who steps into the middle of a supernatural war in the heart of Chinatown. While kung fu warriors and otherworldly spirits battle over the fate of two women (Kim Cattrall and Suzee Pai), Russell's swaggering idiot manages to knock himself out or underestimate the forces he's dealing with. The whole thing is dopey, but it's supposed to be dopey and Russell's game performance brings an ironic edge. Carpenter directs some nifty spook effects (the sudden arrival of three martial arts demigods from out of nowhere is worth applause), and he also wrote the music. --Tom Keogh Studio: Tcfhe Release Date: 08/03/2010 Rating: NrOnce you settle into the realization that this 1986 John Carpenter (Halloween) film is no! t going to be one of the director's more masterful works, Big Trouble in Little China just becomes a full-tilt comic blast. Kurt Russell is hilarious as a drawling, would-be John Wayne hero who steps into the middle of a supernatural war in the heart of Chinatown. While kung fu warriors and otherworldly spirits battle over the fate of two women (Kim Cattrall and Suzee Pai), Russell's swaggering idiot manages to knock himself out or underestimate the forces he's dealing with. The whole thing is dopey, but it's supposed to be dopey and Russell's game performance brings an ironic edge. Carpenter directs some nifty spook effects (the sudden arrival of three martial arts demigods from out of nowhere is worth applause), and he also wrote the music. --Tom Keogh Double Feature (2 DVD Set) includes Big Trouble in Little China and Planet of the Apes

Gun Shy

  • Liam Neeson (STAR WARS, EPISODE 1: THE PHANTOM MENACE) and Oliver Platt (BICENTENNIAL MAN) star with Sandra Bullock (HOPE FLOATS) in an outrageously offeat comedy about what happens when a busy undercover cop suddenly loses his legendary nerves of steel! The only way Charlie (Neeson), a respected D.E.A. agent traumatized by a hair-raising run-in with some ruthless gangsters, can do his job is with
Liam Neeson (STAR WARS, EPISODE 1: THE PHANTOM MENACE) and Oliver Platt (BICENTENNIAL MAN) star with Sandra Bullock (HOPE FLOATS) in an outrageously offeat comedy about what happens when a busy undercover cop suddenly loses his legendary nerves of steel! The only way Charlie (Neeson), a respected D.E.A. agent traumatized by a hair-raising run-in with some ruthless gangsters, can do his job is with the embarrassing treatments of an attractive nurse (Bullock) and the questionable psychotherapy provide! d by a highly unstable support group! And since he's stuck in a deep-cover sting operation until he nabs a wisecracking, trigger-happy Mafia leader who scares him to death (Platt), Charlie can only hope to fake his tough-as-nails image long enough to make this one last bust ... and make it out alive! Loaded with huge stars and big laughs -- you can't miss with this high-caliber comedy hit!Gun Shy had the misfortune to come along after several other "killer pursues therapy" movies/TV shows (Grosse Pointe Blank, Analyze This, The Sopranos); in this case, it's a DEA agent and not a Mafioso, but that wasn't enough to keep it from getting swept aside. Liam Neeson (Schindler's List, Rob Roy) plays Charlie, a government undercover agent whose last mission got botched, resulting in his partner's death. But the DEA isn't willing to let him get out early; clinging to his fantasy of a seaside retirement home, Charlie agrees to one more mission! , even though he's convinced that the New York City gangster h! e's inve stigating will kill him. On his flight to the city, he meets a psychiatrist who encourages him to join a group therapy session. Meanwhile, it turns out that the gangster Fulvio, played by busy character actor Oliver Platt (Funny Bones, Bulworth), is equally miserable with his career. Curiously, Neeson and Platt both seem initially miscast--Neeson exudes a solid imperturbability, and Platt comes off as too soft to be really threatening--but over the course of the movie, their performances become increasingly compelling, perhaps because they are cast against type. Their neuroses, which initially seem like weak gags, start feeling genuine and sad. Gun Shy is marketed as a comedy, but its strength is in the truth of its characters. Sandra Bullock (who also produced the film) has a small role as a gastroenterologist with whom Charlie falls in love. --Bret Fetzer

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