Monday, January 16, 2012

Doom 3

  • First-person shooter
  • Fight back against a demonic invasion of a Mars research facility
  • Built with id Software's newest 3D graphics engine
  • Cinema-quality visuals and 5.1 surround sound
  • Single-player and online
A frantic call for help from a remote research station on Mars sends a team of mercenary Marines into action. Led by The Rock and Karl Urban, they descend into the Olduvai Research Station, where they find a legion of nightmarish creatures, lurking in the darkness, killing at will. Once there, the Marines must use an arsenal of firepower to carry out their mission: nothing gets out alive. Based on the hugely popular video game, DOOM is an explosive action-packed thrill ride!ONE OF THE SCARIEST GAMES EVER MADE, RATED MThe wait is over. After five years of development, Lead Programmer John Carmack and the id Software team have put together a revolutionary visual experience. If your PC has the juice to set this game loose and you have a thirst for first-person shooter action, you're in for a treat. Although Doom 3 is not perfect, the 3D graphics engine upon which it is built sets a new, jaw-dropping standard that makes this game a must-have.

Hell on Mars
Your character is a low-ranking Marine on a routine rotation to the Mars Research Facility of the United Aerospace Corporation (UAC). That's pretty much all the backstory you need. Doom 3 is a bit skimpy in the storyline department, but rich plotting and character development have never been the focus of the Doom franchise. Action is the name of the game here, and we found plenty. After a few minutes of wandering through the facility, listening to rumors about impending catastrophe from the staff (rememb! er Half-Life?), it was time to start shooting. We fought our way through dark, lavishly detailed environments until finally doing battle with pure evil in the depths of hell. Although the game offers no opportunities to explore the Martian setting apart from the linear corridors of the research facility, good level design and well-crafted sound effects succeeded at scaring the living heck out of us all the way through.



Fearsome monsters. Dimly lit environments. The perfect recipe for horror.
Creature Discomforts
Groaning zombies and the sudden leaping attack of an eleven-eyed Imp are just the beginning of the horror and anxiety in Doom 3. Floating Cacodemons attack from above with a mouthful of teet! h... ethereal Revenants fire flesh-seeking missiles with deadl! y accura cy... a swarm of spider-like Trites skitter down the corridor, hungry for blood. Although the enemy AI in Doom 3 is less crafty than we would have liked, the incredible variety of enemies--each with a unique style of attack--outweighs this shortcoming somewhat.

Guns, Guns, Guns
While there are many powerful weapons in the game, they are designed to force players to anticipate and plan for firefights. For instance, we liked wielding the chaingun to shred enemies at longer ranges, but the weapon devours ammo and using it on close-range targets was a waste of bullets. We quickly learned to switch to the shotgun or the chainsaw to dispatch foes at close range.

One piece of hardware, the flashlight, was a point of both salvation and frustration for us. Doom 3 is a dark game and many enemies know how to take advantage of it. You'll often find yourself switching back and forth between your weapons and your flashlight just to see what's lurking ahe! ad. This problem might easily be solved by duct-taping the flashlight to your equipped weapon, but, alas, we found no duct tape on Mars.

Looking Good
Doom 3 looks incredible. Every room is exquisitely detailed, from the shimmer of the air near a heat source to the texture of a hamburger sitting on the counter of the company mess hall. Id obviously went all out designing every creature in the game and their realism makes them all the more horrifying. The eye candy does come at a price, though, and we were forced to play at fairly low resolution even on a Pentium IV 2.8 GHz and an ATI Radeon 9500. Even so, gameplay was smooth as silk. For higher resolutions (1024 x 768 and above) the latest generation of ATI or Nvidia cards is suggested. --Joshua Gunn

Pros

  • Stunning display of graphics technology
  • Strong level design with lots of spookiness
  • Rich variety of enemies
  • Plenty of hours of single-player gameplay
Cons
  • Thin storyline
  • Stiff system require! ments No headlamps or gun-mounted lighting in the 22nd century
  • Fairly basic multiplayer options
A frantic call for help from a remote research station on Mars sends a team of mercenary Marines into action. Led by The Rock and Karl Urban, they descend into the Olduvai Research Station, where they find a legion of nightmarish creatures, lurking in the darkness, killing at will. Once there, the Marines must use an arsenal of firepower to carry out their mission: nothing gets out alive. Based on the hugely popular video game, Doom is an explosive action-packed thrill ride! Starring: Dwayne ''The Rock'' Johnson, Karl Urban, Rosamund Pike, Deobia Oparei, Ben Daniels, Raz Adoti, Richard Brake, Brian Steele, Doug Jones, Dwayne 'The Rock' Johnson Directed by: Andrzej BartkowiakGrab your BFG and get ready to kick some Martian-demon butt in Doom, another entry in the increasingly crowded videogame-to-movie genre. The Rock plays Sarge, the commander of a squad of Marines ! sent to investigate a disturbance at a scientific research facility on Mars. Among the squad is John Grimm (Karl Urban, who played Eomer in The Lord of the Rings), who turns out to have had a previous relationship with Samantha (Rosamund Pike, Die Another Day), the scientist who's accompanying the Marines in order to retrieve some vital data from the facility. Based on id Software's legendary first-person shooter, Doom tries its best to look like a game, with dark, angled corridors, ferocious creatures appearing out of nowhere, and a variety of lethal weapons that will, like the aforementioned BFG, warm the cockles of a gamer's heart. There's also one memorable sequence that actually turns the movie into a first-person shooter; the good news is that in the context of the whole film, it's not quite as goofy as it might have been. And that's not a bad frame of reference for the film in general. Considering the game-to-movie field includes such duds a! s Wing Commander, if you go into Doom with low e! xpectati ons, you'll probably find it a surprisingly respectable horror/sci-fi thriller in the Resident Evil vein (including its somewhat obligatory subplot of corporate wrongdoing). Also in its favor is that it's unabashedly R-rated, for the extreme gore that is a trademark of the game. After all, the purpose of the movie is to pack scares and thrills into a setting that gamers will quickly recognize. In that sense, it qualifies as a success. --David HoriuchiThe Gates were there on Phobos when mankind first arrived. Inert, unyielding, impossibly alien constructs, for twenty years they sat lifeless, mute testaments to their long-vanished creators, their secrets hidden. Then one day, they sprang to life...

Meet Corporal Flynn Taggart, United States Marine Corps; serial number 888-23-9912. He's the best warrior the twenty-first century has to offer, which is a damn good thing. Because Flynn Taggart is all that's standing between the hell that just dropped in on Ma! rs and an unsuspectingg planet Earth...Doom 3 continues the incredible shooter action of the first two Doom games! The Mars Research Facility has been invaded by demons from Doom, leaving only chaos and horror in their wake. You're one of the only survivors - to stay alive you'll have to fight your way to Hell and back.The wait is over. After five years of development, Lead Programmer John Carmack and the id Software team have put together a revolutionary visual experience. Although Doom 3 is not perfect, the 3D graphics engine upon which it is built sets a new, jaw-dropping standard that makes this game a must-have. In addition to adding multi-player action via xBox live, or via networked consoles, the Xbox version of Doom 3 also adds a great two-player cooperative mode.

Hell on Mars
Your character is a low ranking Marine on a routine rotation to the United Aerospace Corporation's (UAC) Mars Research Facility. That's pretty much all the back-story! you need. Doom 3 is a bit skimpy in the story-line dep! artment, but rich plotting and character development have never been the focus of the Doom franchise. Action is the name of the game here, and we found plenty. After a few minutes of wandering through the facility, listening to rumors about impending catastrophe from the staff (remember Half-Life?) it was time to start shooting. We fought our way through dark, lavishly detailed environments until finally doing battle with pure evil in the depths of hell. Although the game offers no opportunities to explore the Martian setting apart from the linear corridors of the research facility, good level design and well crafted sound effects were successful at scaring the living heck out of us all the way through.



Fearsome monsters. Dimly-lit environments. The per! fect recipe for horror.
Creature Discomforts
Groaning zombies and the sudden leaping attack of an eleven-eyed Imp are just the beginning of the horror and anxiety in Doom 3. Floating Cacodemons attack from above with a mouthful of teeth, ethereal Revenant fire flesh-seeking missiles with deadly accuracy, a swarm of spider-like Trites skitter down the corridor, hungry for blood. Although the enemy AI in Doom 3 is less crafty than we would have liked, the incredible variety of enemies--each with a unique style of attack--outweighs this shortcoming somewhat.

Guns, Guns, Guns
While there are many powerful weapons in the game, they are designed to force players to anticipate and plan for firefights. For instance, we liked wielding the chaingun to shred enemies at longer ranges, but the weapon devours ammo and using it on close-range targets was a waste of bullets. We quickly learned to switch to the shot! gun or the chainsaw to dispatch foes at close range.

One ! piece of hardware, the flashlight, was a point of both salvation and frustration for us. Doom 3 is a dark game and many enemies know how to take advantage of it. You'll find yourself switching back and forth between your weapons and your flashlight often just to see what's lurking ahead. This problem might be easily solved by duct taping the flashlight to your equipped weapon, but, alas, we found no duct tape on Mars.

Multiplayer
While Doom 3 is no Halo 2 when it comes to multi-player action, there are some respectable multi-player arenas and modes including death match, team death match, last man standing and tournament. Five maps serve to keep things interesting, and you'll want to look for special tricks in some arenas to give you a leg up on enemies. Cooperative multi-player proved to be a hoot as we teamed up with friends to try to make our way through the levels. The intensity of gameplay ramps up significantly in the cooperative mode, as the levels are d! esigned to be harder. They're also designed to force players to work together, so you'll want to communicate with your partner as much as possible.

Looking Good
Doom 3 is incredible looking. Every room is exquisitely detailed, from the shimmer of the air near a heat source to the texture of a hamburger sitting on the counter of the company mess hall. Id obviously went all out designing every creature in the game and their realism makes them all the more horrifying. Get ready to jump out of your couch cushions!--Joshua Gunn

Pros

  • Stunning display of graphics technology
  • Strong level design with lots of spookiness
  • Great cooperative mode
  • Plenty of hours of single-player gameplay
Cons
  • Thin storyline
  • No headlamps or gun-mounted lighting in the 22nd century
  • Fairly basic multi-player options

Friday, January 13, 2012

Xbox 360 4GB Console with Kinect

  • Kinect sensor, Built-in Wi-Fi
  • Xbox LIVE, Xbox 360 wireless controller
  • Kinect Adventures game
When asked to save a struggling auto dealership from bankruptcy, Jeremy Piven and his ragtag crew descend on a small California town to party and wreak havoc... and move some cars, in this outrageously funny comedy.Look out, Temecula, here comes Don Ready and his band of X-treme salesmen, rarin' to boost sales at a struggling car dealership over the course of a single hardcore weekend. That's the plan in The Goods: Live Hard, Sell Hard, a scattershot comedy featuring fast-talking Jeremy Piven as the slippery Mr. Ready, who knows how to lay on the discounts, the free food, and the personal appearances by bottom-tier celebrities. He and his for-hire team (Ving Rhames, David Koechner, and Kathryn Hahn) have three days to clear the lot, or the owner (a game James Brolin) will lose! his business. The movie's at its funniest when going for non sequitur craziness (best exemplified by the zany-creepy vibe between Hahn and Brolin's ten-year-old son, played by Rob Riggle, whose glandular condition makes him look like a strapping 35-year-old). Good folks score in drive-by bits: Ed Helms does his best fatuous jerk, Craig Robinson glowers as a grumpy DJ, and producer Will Ferrell gets an extended cameo during which he spends much of his time falling from a plane without a parachute. (He's funny enough that you wish his role weren't confined to a flashback and a fantasy sequence.) The central role is tailor-made for Piven's skills, and he's suitably revved-up, but ultimately the movie leaves him stranded by trying to have it both ways: it can't decide whether it's a totally put-on sketch comedy or a more-or-less sincere redemption story. That won't fly, and the movie sputters accordingly. --Robert Horton

Stills fro! m The Goods: Live Hard, Sell Hard (Click for larger i! mage)











Microsoft Xbox 3! 60 S4G-0 0001 Gaming Console with Game Pad S4G-00001 Video Game Consoles

Wednesday, January 11, 2012

Amexicano

  • Bruno, an unemployed Italian American, is offered a job doing repairs for his landlord, who also suggests that he hires a Hispanic day laborer: Ignacio. Bruno ends up loving and admiring both Ignacio and his wife, but the specter of deportation continues to loom large. Run time: Approx. 84 min Format: DVD MOVIE Genre: DRAMA Rating: 13+ Age: 812034010494 UPC: 8120
Bruno, an unemployed Italian American, is offered a job doing repairs for his landlord, who also suggests that he hires a Hispanic day laborer: Ignacio. Bruno ends up loving and admiring both Ignacio and his wife, but the specter of deportation continues to loom large.

The Great New Wonderful

  • Maggie Gyllenhaal, Edie Falco, Tony Shaloub, Stephen Colbert and Olympia Dukakis star in this lighthearted comedy about life in New York City one year following 9/11. It s a comedy about starting over. Format: DVD MOVIE Genre: COMEDY Rating: R Age: 855280001670 UPC: 855280001670 Manufacturer No: FI0167DVD
Maggie Gyllenhaal, Edie Falco, Tony Shaloub, Stephen Colbert and Olympia Dukakis star in this lighthearted comedy about life in New York City one year following 9/11. It’s a comedy about starting over.A rich portrait of life in New York in the wake of disaster, The Great New Wonderful offers a kind of compassion rare in film. Five storylines intertwine--including competitive pastry chefs (Maggie Gyllenhaal, Secretary, and Edie Falco, The Sopranos), an elderly woman (Olympia Dukakis, Moonstruck) realizing she can't stand her lumpish husband, and a middle-cl! ass parents (Judy Greer, Arrested Development, and Tom McCarthy, Syriana) coping with their increasingly sociopathic child--all of them thick with brilliantly observed social tension. As a therapist (Tony Shalhoub, Big Night) questions a patient (Jim Gaffigan), it's ambiguous whether he's diagnosing the patient's anger or actually causing it. The Great New Wonderful makes compelling drama out of the subtle discords of commonplace life, the kind of frustration and hostility that rises up constantly but has to be tamped back down in order to get through the day--but in the aftermath of a catastrophe like 9/11, the smallest things become unbearable. The Great New Wonderful doesn't rise to the scope of Robert Altman's best work (like Nashville), but it successfully avoids the forced pretensions of other ensemble pieces like Magnolia. Subtlety is too often invoked to excuse a lack of substance, but this movie genuinely makes small! nuances tangible and compelling. --Bret Fetzer

Elmo's World - The Great Outdoors

  • Get ready to explore the great outdoors with Elmo and learn all about Wild Animals, Fish and Weather! With a dancing shade, a mischievous drawer, a frisky television and a playful computer, Elmo's World is the perfect place for preschoolers to learn all about the world around them. So if you want to know what to wear in the rain, where a fish lives or which animals are wild, it's time to v
Martin is an uncomplicated guy who responds to an ad in the paper for a company called Great World of Sound. Joining the crew, Martin partners up with larger than life Clarence, and the two hit the road to discover and sign new musical talent. As the veneer falls away from GWS, the two have to reconcile the excitement with the reality of the job. Have they become scam artists, or are they victims of the scam?Get ready to explore the great outdoors with Elmo and learn all about Fish, Weather and Wild Animals! ! Wild Animals, Fish and Weather! With a dancing shade, a mischievous drawer, a frisky television and a playful computer, Elmo’s World is the perfect place for preschoolers to learn all about the world around them. So if you want to know what to wear in the rain, where a fish lives or which animals are wild, it’s time to visit Elmo’s World!

Saturday, January 7, 2012

Copying Beethoven

  • COPYING BEETHOVEN
When young Anna Holz (Diane Kruger), a Viennese music student is asked to transcribe scoring notes for the great Ludwig van Beethoven (Harris), she eagerly accepts, despite warnings about his volatile behavior. Part maestro, part mentor and part madman, Beethoven reluctantly relies on Anna to help him realize the culmination of his art.

A passionate, powerful drama based loosely on the final months of Ludwig van Beethoven's life, Copying Beethoven finds the maestro a haunted man, composing the most revolutionary yet unappreciated work of his lifetime; largely deaf; disappointed in his relationship with a wastrel nephew; and fascinated by a young, female composer, Anna Holtz (Diane Kruger), who goes to work for him transcribing music. Staying as a guest at a convent and engaged to a stolid engineer, Anna is drawn to Beethoven’s tempestuous genius. Half the time he'! s enchanted by her and seems to see straight through to her soul. The other half, he's shouting at her for her timidity or flattery. Hardly a mouse, Anna fights back. The more she does, the more Beethoven recognizes in her a kindred survivor, someone with whom he can reveal his vulnerability and the burden of his artistry. Ed Harris' Beethoven is wracked by pain but not overwhelmed by it; he looks like a man who understands his responsibility to nature too well to merely disintegrate. ("God whispers in most men's ears," Beethoven says. "He shouts in mine.") Director Agnieszka Holland (Olivier, Olivier) oversees a handsome, alternately tender and brutal drama, with several thrilling moments, including the stunned look of audience members hearing the world premiere of the glorious 9th Symphony. --Tom Keogh

Copying Beethoven Extras


Watch Ed Harris speak about portraying Beethoven in this exclusive clip.



Beyond Copying Beethoven


Copying Beethoven Soundtrack

Famous Composers: Ludwig Van Beethoven

More From MGM



Stills from Copying Beethoven








Brother DR510 20000 Page Drum Unit

  • Laser Toner Drum Unit
  • Genuine Original
  • Brother OEM Replacement
When Jared Dillian joined Lehman Brothers in 2001, he fulfilled a life-long dream to make it on Wall Streetâ€"but he had no idea how close to the edge the job would take him.

Like Michael Lewis’s classic Liar’s Poker, Jared Dillian’s Street Freak takes readers behind the scenes of the legendary Lehman Brothers, exposing its outrageous and often hilarious corporate culture.

In this ultracompetitive Ivy League world where men would flip over each other’s ties to check out the labels (also known as the “Lehman Handshake”), Dillian was an outsider as an ex-military, working-class guy in a Men’s Wearhouse suit. But he was scrappy and determined; in interviews he told potential managers that, “Nobody can work harder than me. Nobody is willing to put in the hours I will put in. I! am insane.” As it turned out, on Wall Street insanity is not an undesirable quality.

Dillian rose from green associate, checking IDs at the entrance to the trading floor in the paranoid days following 9/11, to become an integral part of Lehman’s culture in its final years as the firm’s head Exchange-Traded Fund (ETF) trader. More than $1 trillion in wealth passed through his hands, but at the cost of an untold number of smashed telephones and tape dispensers. Over time, the exhilarating and explosively stressful job took its toll on him. The extreme highs and lows of the trading floor masked and exacerbated the symptoms of Dillian’s undiagnosed bipolar and obsessive compulsive disorders, leading to a downward spiral that eventually landed him in a psychiatric ward.

Dillian put his life back together, returning to work healthier than ever before, but Lehman itself had seemingly gone mad, having made outrageous bets on commercial real estate, and was qui! ckly headed for self-destruction.

A raucous account of the ! final ye ars of Lehman Brothers, from 9/11 at its World Financial Center offices through the firm’s bankruptcy, including vivid portraits of trading-floor culture, the financial meltdown, and the company’s ultimate collapse, Street Freak is a raw, visceral, and wholly original memoir of life inside the belly of the beast during the most tumultuous time in financial history. In his electrifying and fresh voice, Dillian takes readers on a wild ride through madness and back, both inside Lehman Brothers and himself.Drum Cartridge - 20000 Page

Dead & Buried (Limited Edition)

  • DEAD & BURIED LIMITED EDITION 2-DISC (DVD MOVIE)
Paul Conroy is not ready to die. But when he wakes up six feet underground with no idea of who put him there or why, life for the truck driver and family man instantly becomes a hellish struggle for survival. Buried with only a cell phone and a lighter, his contact with the outside world and ability to piece together clues that could help him discover his location are maddeningly limited. Poor reception, a rapidly draining battery, and a dwindling oxygen supply become his worst enemies in a tightly confined race against time; fighting panic, despair and delirium, Paul has only ninety minutes to be rescued before his worst nightmare comes true.Alfred Hitchcock, eat your heart out. Sure, the master of suspense set himself some tough challenges with limited scenarios: Lifeboat took place entirely within the title craft, Rear Window d! idn't stray from Jimmy Stewart's apartment, and Rope stuck mostly to an unbroken take. But Spanish director Rodrigo Cortés wants to do the master one better: Buried is set inside a coffin, buried beneath a few feet of immovable earth. Paul Conroy (Ryan Reynolds) wakes up inside the coffin, a cell phone and lighter next to him; for the next 90 minutes, we won't leave the narrow space of that wooden box. No cheats: no flashbacks to Paul's past, no cross-cutting with efforts to free him. Cortés sticks to the rules and follows his story out to its conclusion, and in the process he must think of every possible way to shoot and light someone in a confined space. Seems Paul was in Iraq as a non-military truck driver when he got caught in some crossfire, and somebody wants to make a point. The cell phone allows him to speak, and try to puzzle out what's happening, but except for the voices on the other end, this is entirely Ryan Reynolds's show. The actor is up for ! it: although he can't use his body, he calls on both his actio! n-movie chops and (at certain exasperating moments) his comic talents. By definition, this is a bravura turn, and Reynolds comes through firing on all cylinders. Buried is an exercise, but it manages to sneak in a few sly suggestions about the nature of an American's presence in the Middle East. It even earns points for an excellent credits sequence--a clever nod to Hitchcock classics. Somehow you suspect the master would approve. --Robert Horton'Buried': Book two in the 'Serenity' Series.

*Warning: this blurb contains spoilers if you have not already read 'Alone'*

Four years after the horrific murder of her husband, Serenity is living a new life and finally putting the terrifying events behind her. Though now a stronger person, her heart craves the vampire who gave her the strength to change her life.

Desperate to forget Serenity, Sebastian hides away in the underground tunnels of Goreme, Turkey, and has thrown himself into an existen! ce of darkness and blood.

But rumours are abound of something unnatural existing, something with the strength of a vampire but that can walk in the light.

And a murderer is on the loose in Angeles Forest, someone who is killing with the ferocity of a beast. The killer is moving closer and closer to the city, searching for something...


Book 3 in the series, 'Captured' will be published early 2012.
'Buried': Book two in the 'Serenity' Series.

*Warning: this blurb contains spoilers if you have not already read 'Alone'*

Four years after the horrific murder of her husband, Serenity is living a new life and finally putting the terrifying events behind her. Though now a stronger person, her heart craves the vampire who gave her the strength to change her life.

Desperate to forget Serenity, Sebastian hides away in the underground tunnels of Goreme, Turkey, and has thrown himself into an existence of darkness and bl! ood.

But rumours are abound of something unnatural exi! sting, s omething with the strength of a vampire but that can walk in the light.

And a murderer is on the loose in Angeles Forest, someone who is killing with the ferocity of a beast. The killer is moving closer and closer to the city, searching for something...


Book 3 in the series, 'Captured' will be published early 2012.
DEAD AND BURIED - DVD MovieOverlooked during its theatrical run but a cult favorite on video, this unique and chilling take on the zombie film finally joins the digital ranks with a two-DVD set from Blue Underground. James Farentino stars as a small-town sheriff who discovers that the victims in a string of grisly murders are reappearing seemingly alive and unharmed. His investigation leads him to suspect that the local mortician (Jack Albertson) is somehow responsible for these reanimated corpses; what Farentino doesn't know is the extent to which the entire town-himself included-is involved. First-time viewers will appreciate director Gary ! Sherman's attention to pacing and atmosphere, as well as the often darkly humorous script by co-producer Ronald Shusett and Dan O'Bannon (Alien, Total Recall) and the solid cast (which includes future horror star Robert Englund); longtime fans will appreciate the fact that Blue Underground's uncut print restores many of Stan Winston's gruesome special effects. --Paul Gaita

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